by Karen Krossing | Sep 27, 2018 | Uncategorized
Today I’m sad and proud at the same time. I’m sad because this 2018 edition of the Toronto Public Library’s Young Voices Magazine is my last one. I’m proud because I’ve helped launch teen writers through this magazine since 2007.
I enjoyed every minute. I loved reading the selections and meetings with teen editors to select pieces. I loved the launches, where teen writers and artists shared their inspiration. I loved working with librarians to develop the program. I loved delivering writing workshops in libraries and through outreach to places like youth shelters and an eating disorder clinic. Most of all, I love reading the magazine.
You can pick up your copy at any TPL branch or read it online here.
And for Toronto youth, the Young Voices Writing and Art Fest is this weekend!
by Karen Krossing | Sep 17, 2018 | Uncategorized
In June, I posted an article I wrote for the Canadian Society of Children’s Authors, Illustrators and Performers (CANSCAIP) about the value of critical writing and how it’s given me mind-blowing insights about my creative writing. In a second article, I wrote about how critical discussion has done the same.
The second article appeared in the CANSCAIP News Fall 2018 issue. Thanks to CANSCAIP, you can read it here:
by Karen Krossing | Aug 1, 2018 | Mentoring, On Writing, Presentation News
I’m excited to be presenting at CANSCAIP‘s Packaging Your Imagination 2018 along with so many talented creators and industry experts. You can check out the full line-up here. The date is November 10, 2018. Hope to see you there!
I’ll be delivering a workshop on plot. Whether you’re outlining, writing, or revising, an analytical examination of your story will help diagnose and treat any plot problems. I’ll be discussing how to become your own plot doctor by asking yourself questions about your characters and story, and then intuitively answering those questions.
by Karen Krossing | Jul 30, 2018 | Mentoring, On Writing, Presentation News
Note: I’ve been writing about my journey during my MFA at the Vermont College of Fine Arts (VCFA) in Writing for Children and Young Adults. You can read Part 1, Part 2 and Part 3 of my journey as well.
I’m just back from my second residency at VCFA, and I’m exhausted and inspired by days filled with lectures, workshops, readings, and so many conversations about writing. To tell you the truth, I was a little shocked when I arrived home and my family didn’t want to constantly discuss writing. At residency, I also delivered my very first lecture, which was about picture-book revisions.
In my lecture, I talked about revision as the heart of the writer’s craft. It’s the reason an editor might eventually be able to sense the pulse of my story. It’s the reason a reader might get to thrum to the beating heart of the story I’ve finally managed to infuse with life.
But how to revise well? I explored this question with a visit to the Osborne Collection of Early Children’s Books in Toronto to seek original manuscripts that became acclaimed picture books. My goal was to analyze how authors of both classic and recent books had revised their manuscripts. I thought of it as a game, where I could identify what questions the author may have asked when revising or what questions they answered through revision. I could then ask the same questions about my own works-in-progress.
Each time I revise a manuscript, I seem to go through the same painful bumps in the road. My hope is that, by analyzing and learning from others’ revision processes, I’ll be able to find the beating heart of my story more directly and with fewer bumps. Perhaps each of these questions I identified can become the basis for one pass through the manuscript. Perhaps I can infuse my intuitive process with some of this analytical knowledge.
My lecture was part of a panel discussion of picture books with four amazing students I studied with during the Picture Book Intensive (PBI) semester. Together we wrote, critiqued, and analyzed picture books in an online forum, as well as working one-on-one with our faculty advisor, the talented Liz Garton Scanlon. I found the PBI discussions to be more demanding and focused than monthly writing groups. It fostered deep thinking and valuable insights.
With my lecture done, I received a PBI certificate, since this semester can be taken separately from the whole MFA program. I was also thrilled to receive the Beyond Words Scholarship! It’s awarded to a student who demonstrates a passion and commitment to picture books. Now, to use my new knowledge of this genre, I’ll be reviewing picture books for Canadian Children’s Book News as well as continuing to write my own.
I’m now back at my desk and diving into my pile of second-semester work. In this semester, my advisor is a writer with great heart and instinct—Amanda Jenkins, author of the Printz Honor Book Repossessed, among others titles. I’m super stoked to dive into how to better connect to my characters and convey emotional depth on the page, which are my goals for this semester.
Taking this MFA program is the best gift I’ve ever given my writer self. It’s a transformative experience, and I’m so grateful for it.
Want more? You can read Part 5, Part 6, Part 7, Part 8, and my final MFA post.
by Karen Krossing | Jun 18, 2018 | Mentoring, On Writing
To read more, go to “Ways to Grow as a Writer (Part 2): Critical Discussion.”
