October Workshop for Teens

Teen writers who are looking for hands-on writing workshops should check out the Toronto Public Library’s Young Voices 2013 Writers Conference. This free one-day event is on October 26 from 10 a.m. to 4 p.m. How lucky are we to have the fabulous Toronto Public Library!

You can meet published authors and artists, improve your craft, get your work published in the Instant Anthology blog and magazine, and meet other Toronto teen writers.

Workshops include:

Plus you can hear Tavi Gevinson – teen editor and founder of ROOKIEMAG.com.

Registration is now open, and if you register before October 11, you can enter to win a Kobo e-reader on the day of the conference!

For full details and to register, click here. Hope to see you there!

Cut the Lights Giveaway and Trailer

My new novel for teens, Cut the Lights, is officially available on October 1. It’s one of three debut titles in the Orca Limelights series on the performing arts. To celebrate, I’m launching my video book trailer and hosting a Goodreads giveaway for one of ten copies of the book. Good luck!

Goodreads Book Giveaway

Cut the Lights by Karen Krossing

Cut the Lights

by Karen Krossing

Giveaway ends October 05, 2013.

See the giveaway details
at Goodreads.

Enter to win

You can also enter Goodreads giveaways to win one of the two other debut Orca Limelights novels: Attitude by Robin Stevenson and Totally Unrelated by Tom Ryan.

The first review of Cut the Lights is wonderful. Here’s what the Quill & Quire reviewer had to say:

Karen Krossing’s Cut the Lights is a … complex offering, both in terms of storyline and character. Krossing is a confident, engaging writer, and the book’s setting is a kind of Glee-meets-Fame dream school that kids will find very appealing…. Given how many kids dream of stardom, the Limelights series is sure to hold wide appeal, especially if those lofty ambitions continue to be dealt with in ways that are encouraging and down-to-earth at the same time.
Quill & Quire

You can download a sample chapter of Cut the Lights here. Enjoy the trailer!

Cut the Lights Trailer

Filling the Creative Well (Part 2)

As I wrote in Part 1 of this post, I’ve been taking a writing break to “fill the creative well” and ponder my current work-in-progress, which was somewhat stuck at chapter six at the start of the summer. In fact, I didn’t know if I had a viable story idea that I could plot through to the end. So I wrote the first few chapters, took a break, and hoped for the best.

In the meantime, I re-finished our kitchen chairs into works of art with my artist daughter, Paige. (Statement of Truth: She’s the artist. I’m just the base-coat painter.) You can see our first three chairs in Part 1, including the themes cosmos, Aztec, and steampunk. As promised, here are the final three chairs: Doctor Who, floral, and collage.

For all you Doctor Who fans out there, we planned a spinning Tardis (the Doctor’s time machine) within billowing clouds coupled with our favourite quotes written in Gallifreyan (the language used by the Time Lords, displayed using a complex system of interlocking circles, hexagons and lines).

Here’s the front of our Doctor Who chair, including a close up:

Can’t read Gallifreyan? Curious what we wrote? Okay, here it is:

  • Front of backrest: “Do what I do. Hold tight and pretend it’s a plan!”
    (The Doctor, Season 7, Christmas Special)
  • Lower-left seat:  “Always take a banana to a party, Rose. Bananas are good!”
    (The Doctor, Season 2, Episode 4)
  • Upper-right seat: “Biting’s excellent. It’s like kissing. Only there is a winner.”
    (Idris, Season 6, Episode 4)

Here’s the rear of the same chair:

 

 

 

 

 

 

 

This Gallifreyan quote says: “You want weapons? We’re in a library! Books! The best weapons in the world!” (The Doctor, Season 2, Episode 2).

Next, we created our floral chair, which is the only one that uses the natural wood grain:

 

 

And finally, here’s our collage chair, which includes images of the aftermath of Great Fire in Toronto, some of our favourite pastimes (books, dance, etc.), my family nickname (Karnage), excerpts from “What to Do in Case of an Air Raid” (a funny historical piece I found in a collectibles shop), several dragons (because who doesn’t like dragons), and a lot more.

Here’s a peek at our collage chair:

 

 

Now, we are resting on our chairs, irreverently sitting on works of art, and enjoying the fruits of our labours. And maybe, just maybe, that novel is ready to be written.

The writing process is a quirky thing. It’s somewhat like calming a screaming toddler in the middle of a department store while juggling twelve oranges. You’ve got to keep all the oranges in the air without further upsetting the toddler or getting kicked out by the security guards. Okay, I know. Bad comparison.

What I did discover one day in August was that I suddenly knew how to solve that niggling problem in my work-in-progress. One clear sunny morning while reading an information book for pleasure, an brilliant idea found me, told me how to finish the novel, and created a few exciting new characters in the process.

So I’m feeling that stepping away from my desk and letting my subconscious do the work was a terrific plan. Even though I wasn’t sure it would work. I guess those hours of painting chairs paid off in more ways than one.

Interview with Limelights Author Tom Ryan

The new Limelights performing arts series by Orca Book Publishers launches on October 1 with three titles: Attitude by Robin StevensonCut the Lights by me, and Totally Unrelated by Tom Ryan. Can’t wait to read these novels? To tide you over, here’s an interview with author Tom Ryan about his book in the series.

What is the synopsis of Totally Unrelated?

Neil plays guitar with his family’s band, the Family McClintock, even though he can’t stand the Celtic music they play, he doesn’t dance, he hates the outfits, and every single performance reminds him that he isn’t as talented as the rest of the family.

When his buddy Bert convinces him to form a rock band and enter a local talent show, Neil’s playing improves and everyone notices, including a girl who shares his musical interests. He starts to think that all those years of practice might come in handy after all. But it all comes to a head when Neil has to choose between an important gig with the family band and the talent show. He’s only sure of one thing: whatever he decides to do, he’s going to be letting someone down.

Have you drawn on your own experience at all in writing this book?

I grew up in a small town on Cape Breton Island, where music is a way of life and many talented families perform at community events and outdoor concerts all summer long. I thought it would be fun to write about one of these musical families from the perspective of one of its younger members. I also did a lot of performing when I was younger, as a singer in small three-piece bands like the one Neil and his friends form for the talent show, so I had a lot of fun revisiting those days.

How did you come up with your title? What other titles did you consider?

I don’t want to give too much away, but the title fits perfectly with the story! I will say that Neil’s relationship with his well-known family and his desire to break away and do his own thing are the central themes of the book, and by the time things wrap up, the title makes perfect sense!

Did you find it challenging to describe the thought process behind the creative process?

Yes! I spend a lot of time listening to music, but when I started writing the book I quickly learned that it is incredibly difficult to describe music and dance in words. By its very nature, music is meant to be listened to, not described, so turning the musical scenes that fill the book into part of a compelling narrative was a real challenge. Eventually I got into a groove and began to enjoy the process, but as hard as I tried, a written description of a musical performance will never match the real thing!

Tom Ryan is the author of three novels for teens, including Way to Go and Tag Along.

Have you done any performing arts as a teen or adult?

I’ve done loads of performing. As a teen I sang in a few bands, and I was also into theatre, both acting and building and painting sets. Later on, after university, I worked in the film industry for several years and had the opportunity to meet and work with lots of really interesting and talented people. I still play guitar a little bit and I’ve always enjoyed singing, but it’s been quite a while since I performed in front of an audience.

If you could be proficient at any one “performance skill” what would it be?

I would love to be able to play piano. I took lessons for a couple of years in junior high, but I didn’t stick with it and I’ve always regretted that. I haven’t ruled out picking it up again, someday when I have a bit more time!

Thanks for the insights, Tom. Totally Unrelated sounds like a book that performance-loving teens won’t want to miss!

You can find out more about Tom at www.tomwrotethat.com or find him on Twitter @tomwrotethat.

For an interview with Limelights author Robin Stevenson, visit Tom’s blog. For an interview with me, visit Robin’s blog. You can also read sample first chapters and enjoy the Limelights video trailer (made by Tom) at the Orca Limelights site. Enjoy!

 

Filling the Creative Well (Part 1)

After a year of solidly writing every day, I need to take a writing break this summer. The problem is that I’m terrible at sitting still. For me, resting is torture. My mind continues to spin out scenes that beg to be written down.

But as Julia Cameron says in The Artist’s Way, we all need to fill our creative well every so often. She writes, “In order to create, we draw from our inner well. This inner well, an artistic reservoir, is ideally like a well-stocked trout pond. We’ve got big fish, little fish, fat fish, skinny fish – an abundance of artistic fish to fry. As artists, we must realize that we have to maintain this artistic ecosystem….Any extended period of piece of work draws heavily on our artistic well.”

Ideally, Cameron recommends that we fill the well with sensory experiences, fun pursuits, intriguing explorations.

So how does this writer take a creative break, other than getting away from my writing desk? By finding a different creative project. One that uses a new set of creative muscles. And I had the perfect idea.

First, I enlisted my daughter, Paige, to help. She’s a fabulous visual artist – a skill she didn’t inherit from me. I shared my plan to revive our boring kitchen chairs, re-making them into painted, themed works-of-art. I would act as creative consultant and base coat painter; Paige would supply the art.

Here’s the set of chairs we started with. Dull, I know.


We brainstormed ideas for how to paint each of the six chairs, which was a lot of fun. We settled on these ideas: cosmos, Aztec, steampunk, Doctor Who (yes, we’re geeks), floral/nature, and collage. Now I’m doing the grunt work: stripping and sanding each chair, painting the undercoat and colour coats, and painting the polyurethane after the artwork is complete. Paige does the glory work, and her art is anything but boring!

What I’m finding is that painting gives my mind time to process what I’ve written and what I plan to write next. It gives me a way to relax my mind without sitting still. Like a long walk, painting is a terrific way to unwind and contemplate.

The best part is that, in the end, I’m left with gorgeous and unique chairs. Don’t hang your art on walls – sit on it!

Here’s our cosmos chair:

And our Aztec chair (front and back):

 

 

 

 

 

 

 

 

 

And finally our steampunk chair (front and back):

The last three chairs – Doctor Who, floral/nature, and collage – are in progress. I’ll post later with pictures of them. In the meantime, I’m off to paint a Tardis-blue chair, contemplate life and fill the well!