Once a month, children’s author Vikki VanSickle goes on CTV’s Your Morning to recommend Canadian kids’ books. Recently, Vikki was on the show to talk about Halloween-themed titles for all ages, and included Monster vs. Boy. My book was in great company!
Plus, this book has received wonderful reviews over the last few weeks:
“While some readers may pick up Monster vs. Boy because of the promise of a horror story, Karen Krossing’s latest middle-grade novel is more a reflection of what we see and fear in others before we know them….Karen Krossing also reminds us of the magic of books and reading.” CanLit for Little Canadians
“Monster vs. Boy is a heartfelt and charming story about family, community support, and the power of acceptance of yourself and others.” The Miramichi Reader
“Rich with fantasy, the novel explores the definition of family, the power of friendship, and the healing that comes from confronting the trauma we may have locked behind closed doors.” Canadian Children’s Book News
Guess what arrived? In June, illustrator Dawn Lo and I were honoured to win the 2023 SCBWI Crystal Kite Award in Canada for One Tiny Bubble, and I just received this lovely recognition of it!
I have so much gratitude to Owlkids Books for taking on this project. Karen Li first championed the project, Stacey Roderick was such a thorough and vigorous editor that she was a dream to work with, Dawn Lo brought one tiny bubble to life with the magic of her brush, Alisa Baldwin designed it so well that the book won second place in the Alcuin Society Awards for Excellence in Book Design (Children’s Category), and the marketing and publicity team at Owlkids have been on point and supportive at all times.
This book began during my MFA at the Vermont College of Fine Arts, and I want to acknowledge the wisdom of faculty advisor William Alexander and workshop leader Cynthia Leitich Smith, who enthusiastically welcomed my fledgling manuscript, as well as the support of my writing partners who read many early drafts of this manuscript.
Thanks also to Dr. William F. Martin, author of many scientific articles on life’s early evolution and professor at the Institute of Molecular Evolution in Heinrich-Heine-Universität Düsseldorf. Dr. Martin enthusiastically reviewed the text and illustrations, and I greatly value his expertise.
And of course, I must recognize the Society of Children’s Book Writers and Illustrators and its members. This award is implemented by the SCBWI and peer-selected by its members. I’m grateful for their support.
If you’d like to learn more about One Tiny Bubble, please check out these resources:
On August 28 at 1:00 pm and 2:30 pm, you can find me at the Canadian National Exhibition (CNE) in Toronto! I’ll be in Kids World at the Storybook Nook, reading from my picture books Sour Cakes (illustrated by Anna Kwan) and One Tiny Bubble (illustrated by Dawn Lo). I’ll have a few books for sale too. I hope to see you there!
Enter to win one of two signed copies of my latest middle-grade novel Monster vs. Boy published by Charlesbridge Publishing. Here’s what Kirkus Reviews had to say about it: “In this thoughtful story that deals with serious topics but is lightened by humor, Krossing expertly navigates what it’s like to be young and unsure of yourself…. A moving tale of learning to accept yourself, flaws and all.”
No one in the ramshackle house knew that a monster—who was smaller than a bear cub—lived in Dawz’s bedroom closet. She called herself Mim.
Dawz wants to practice Recipes of Extreme Greatness for the Bakers’ Brawl competition and forget about his mom, who left him and his sister, Jayla, years ago. He does not want to see a monster that no one else can see.
Mim wants to explore her closet’s nooks and crannies, and listen to stories through the door. She does not want to share her space with the horrible boy outside the closet.
When Mim leaves Dawz’s closet for the first time, the two learn they’re connected in ways neither can explain. While Mim searches the wide world for a friend, Dawz searches for a way to get rid of her so that he can be normal. Can the two find a way to break their connection without losing who they are?
This moving middle-grade novel is about found family, facing our fears, and mental health. It asks the question: What if the monsters that haunt us aren’t monsters at all?
Recently on L.E. Carmichael‘s Cantastic Authorpalooza blog, I talked about my inspiration for writing Monster vs. Boy. To check it out, go to “Karen Krossing: Addressing the Monster in the Closet.” Also, please check out L.E. Carmichael’s fantastic books!
To hear me reading from Monster vs. Boy, please check out this video.
For ideas about how to share Monster vs. Boy with young readers, please see this Discussion Guide.
Sometimes, you receive a book review that gets what you were trying to achieve.
“A book whose story of a boy hunting a monster is really about mental health and learning to accept the darkest parts of oneself…. Stated differences in racial and sexual identities also feed into themes of acceptance and support the idea that Dawz must appreciate everything about himself, just as those around him accept and appreciate each other. Monster vs. Boy is a supportive novel in which a boy learns to address his trauma—with his community’s support.“ Foreword Reviews
Six more sleeps until this book launches into the world with a gorgeous cover by Markia Jenai!
I’m happy to announce my next workshop with Whale Rock Literary Workshops. I’ll be co-teaching a workshop on social-emotional writing in fantastic literature with US author and poet Laura Shovan. Please check out her latest book – a children’s poetry collection called Welcome to Monsterville. My books with monstrous characters and social-emotional themes include my picture book Sour Cakes and my novels Monster vs. Boy and Bog.
Addressing the Monster in the Room: Social-Emotional Writing in Fantastic Literature
Dates/Times: Sept. 21 and 28 at 7:30 to 9:00 pm ET (two sessions) Cost: $60 US Delivery: Online with sessions recorded for later viewing
Ursula Le Guin writes in Cheek by Jowl, “What fantasy often does that the realistic novel generally cannot do is include the nonhuman as essential.”
Monsters of all sorts live in our dreams, embodying our deepest emotions. They are guides to our truth and, as such, they play a huge role in social-emotional development. While realistic fiction centers the intricacies of humans, fantastic fiction is the imagination on fire, exploring shadow versions of our world and breathing life into our inner monsters. Stories about monsters – whether they appear in a game of Dungeons and Dragons, in a poem, or in a work of fiction are essential, especially in our post-pandemic times. They help readers and listeners better understand how to manage emotions, develop healthy identities, feel empathy, and show support for others.
This two-session workshop will ask four key craft questions to help you incorporate the monstrous into your writing. What is your protagonist’s relationship to the monstrous? What are your monster’s physical, emotional, and/or magical character traits? What metaphors or image systems define your monster and why? Does your monster live alongside our real world or has the protagonist crossed into the monster’s world? Our goal is to deepen your work’s social-emotional themes, offering you and your reader an opportunity to better understand the heart, mind, and spirit.
This Workshop Is For You If
You are drafting or revising a picture book or novel with a monstrous theme and/or character.
You are seeking to deepen your monstrous character(s) (widely defined as invented creatures of any kind).
You’d like to explore how monsters in fiction support social-emotional learning and themes.
To register, go to the Whale Rock website. While you’re there, please also check out their many wonderful offerings for new, emerging, and established writers for children and youth. And don’t forget to subscribe to the Whale Rock newsletter!
I’m excited to be heading to the July 21 to 29 residency for the Vermont College of Fine Arts as a Teaching Assistant in the Picture Book Intensive semester! This will be the first time the residency happens in Colorado Springs – a huge transition for everyone. I’ll be working with faculty member Loree Griffin Burns to support the students during residency and for the rest of the semester too. I’ll also be delivering a lecture and reading. It’s a great opportunity for me to learn more about how to mentor children’s writers. I’ve been prepping my lecture, and I can’t wait to share it. Plus, it’ll be wonderful to soak up all the wisdom and creative energy of an in-person residency. I’m especially excited to connect with my fellow Teaching Assistant Laura Obuobi, author of the fabulous picture book Black Gold, and to see so many friends deliver their graduating lectures. These writers are brilliant, folks.
Here’s my lecture topic. If it’s available to the public, I’ll be sure to share a link:
Generating Story Approaches: How Else Can You Tell It?
You’ve written a good story, or you have a good story idea. How can you make it great? One way is to improve the writing craft skills you’ll need to write it. Another is to consider the optimal approach to writing it. Taking the time to generate and assess alternative story approaches at the start of your writing process and during revision can elevate a good story to greatness. This lecture will explore the process of generating alternative story approaches using mentor texts as our guides.
Reading in Colorado Springs: Monster vs. Boy
While I’m in Colorado, I’ll also be visiting local bookstore Tattered Cover for a reading and presentation of my new middle-grade novel Monster vs. Boy, which will be published on July 11. If you’re around and available, I would love to see friends there!
When: Saturday, July 29 at 6 to 8 pm Where: Tattered Cover Book Store, 112 N. Tejon St, Colorado Springs
