Neil plays guitar with his family’s band, the Family McClintock, even though he can’t stand the Celtic music they play, he doesn’t dance, he hates the outfits, and every single performance reminds him that he isn’t as talented as the rest of the family.
When his buddy Bert convinces him to form a rock band and enter a local talent show, Neil’s playing improves and everyone notices, including a girl who shares his musical interests. He starts to think that all those years of practice might come in handy after all. But it all comes to a head when Neil has to choose between an important gig with the family band and the talent show. He’s only sure of one thing: whatever he decides to do, he’s going to be letting someone down.
Have you drawn on your own experience at all in writing this book?
I grew up in a small town on Cape Breton Island, where music is a way of life and many talented families perform at community events and outdoor concerts all summer long. I thought it would be fun to write about one of these musical families from the perspective of one of its younger members. I also did a lot of performing when I was younger, as a singer in small three-piece bands like the one Neil and his friends form for the talent show, so I had a lot of fun revisiting those days.
How did you come up with your title? What other titles did you consider?
I don’t want to give too much away, but the title fits perfectly with the story! I will say that Neil’s relationship with his well-known family and his desire to break away and do his own thing are the central themes of the book, and by the time things wrap up, the title makes perfect sense!
Did you find it challenging to describe the thought process behind the creative process?
Yes! I spend a lot of time listening to music, but when I started writing the book I quickly learned that it is incredibly difficult to describe music and dance in words. By its very nature, music is meant to be listened to, not described, so turning the musical scenes that fill the book into part of a compelling narrative was a real challenge. Eventually I got into a groove and began to enjoy the process, but as hard as I tried, a written description of a musical performance will never match the real thing!
Tom Ryan is the author of three novels for teens, including Way to Go and Tag Along.
Have you done any performing arts as a teen or adult?
I’ve done loads of performing. As a teen I sang in a few bands, and I was also into theatre, both acting and building and painting sets. Later on, after university, I worked in the film industry for several years and had the opportunity to meet and work with lots of really interesting and talented people. I still play guitar a little bit and I’ve always enjoyed singing, but it’s been quite a while since I performed in front of an audience.
If you could be proficient at any one “performance skill” what would it be?
I would love to be able to play piano. I took lessons for a couple of years in junior high, but I didn’t stick with it and I’ve always regretted that. I haven’t ruled out picking it up again, someday when I have a bit more time!
Thanks for the insights, Tom. Totally Unrelated sounds like a book that performance-loving teens won’t want to miss!
For an interview with Limelights author Robin Stevenson, visit Tom’s blog. For an interview with me, visit Robin’s blog. You can also read sample first chapters and enjoy the Limelights video trailer (made by Tom) at the Orca Limelights site. Enjoy!
The Orca Limelights website is now live, featuring a video book trailer by Limelights author Tom Ryan. Please share the trailer with bookseller and booklovers everywhere!
The Limelights series is creating a buzz among booksellers, too. I’m happy to report that the series will be featured in the 2013 Books For Everybody holiday catalogue coming out this fall. Yippee!
I have nothing but respect and admiration for Orca Books‘ editor Sarah Harvey. Working with Sarah on my novel The Yo-Yo Prophet in 2011 was a delight, and I was keen to work with her again. Sarah is an astute editor and, in case you don’t know, she’s also the author of at least ten books for kids and teens, so she knows both sides of the editorial process. (You can check out Sarah’s books here, including both novels and non-fiction titles as well as a picture book.)
In June 2012, Sarah emailed a number of authors about her idea for a new Orca series. Since young teens have become obsessed with the performing arts, shown in part by the popularity of such TV shows as American Idol, Glee and So You Think You Can Dance, why not publish a performing arts series of short, contemporary novels aimed at 11- to 14-year-olds?
It was an idea that caught my attention right away. With a lifelong love of theatre and two daughters at a performing arts high school, I began playing with possible premises. Now, I’m pleased that Cut the Lights will be one of three debut titles in the Limelights series this October, with many more titles coming from a slew of talented authors over the next few years.
Here’s a glimpse into Sarah’s ideas about the series and her personal fondness for the performing arts:
In the new Limelights series, Orca Book Publishers presents novels about the performing arts for ages 11 to 14. Singing, acting, directing, dancing – this series promises to enlighten and entertain teens who love performance.
I’m pleased to be publishing one of the first three novels in the series with Robin Stevenson and Tom Ryan in Fall 2013. Here’s a sneak peek:
There’s more to ballet than pink pointe shoes and tutus.
Cassie just wants to dance, but the atmosphere at her summer intensive at a prestigious ballet school is much more competitive – and nasty – than she’s used to. Not wanting to put a target on her own back, Cassie keeps her head down and concentrates on her dancing. But when she sees real harm being done to the other visiting summer students, she finally speaks out – and finds out just how far some girls will go to succeed.
Is the play cursed or is Briar just a lousy director?
Briar may have a vision for the one-act play she’s been chosen to direct at her performing arts high school, but nobody seems to share it. Not her cast, not her crew, not even her best friend, who wrote the play. As Briar struggles to motivate her cast and crew, she learns some important truths about the fine art of directing – and about herself.
When you step into the spotlight, you have to expect some heat.
Neil plays guitar with his family’s band, the Family McClintock, even though he can’t stand Celtic music and he isn’t as talented as the rest of the family. Or is he? When his buddy Bert convinces him to form a rock band and enter a local talent show, Neil’s playing improves. Everyone notices, including a girl who shares his musical interests. After years of standing at the back of the stage, Neil realizes that he might have what it takes to step into the spotlight.
As my second young-adult novel with Orca Book Publishers is set to come out in the Fall, I was lucky enough to read advanced copies of four upcoming Spring Orca titles for young adults. I’m always impressed with the quality writing and stunning covers of Orca books, and these four novels do not disappoint.
Allegra hopes that being at a performing-arts high school will change her life and make her a better dancer. But high school is still high school, complete with cliques, competition and cruelty. And home isn’t much better. Forced to take a class in music theory, Allegra takes refuge in writing music with her young teacher, who nurtures her talent. But when her feelings for him become more intense, and he seems to reciprocate, Allegra sets in motion a chain of events that could destroy everything – and everyone – she loves.
Allegra will appeal to dancers and music-lovers, as well as any teen who has felt overwhelmed by the complexity of dealing with family, friends, and romantic troubles. A layered, complex novel that does not shy away from difficult subject matter.
Lauren Yanofsky doesn’t want to be Jewish anymore. Her father is a noted Holocaust historian, and her mother doesn’t understand why Lauren hates the idea of Jewish youth camps and family vacations to Holocaust memorials. But when Lauren sees some of her friends – including Jesse, a cute boy she likes – playing Nazi war games, she is faced with a terrible choice: betray her friends or betray her heritage. Told with engaging humor, Lauren Yanofsky Hates the Holocaust isn’t simply about making tough moral choices. It’s about a girl caught up in the turmoil of bad-hair days, family friction, changing friendships, love – and, yes, the Holocaust.
Lauren Yanofsky is offbeat, sensitive, and an utterly original character. Lieberman’s novel is a refreshing take on growing up Jewish and finding oneself within the context of cultural and family history.
It’s 1963, and Jack’s family is still reeling from the sids death of his baby sister. Adrift in his own life, Jack is convinced that setting a world record will bring his father back to his senses and his mother back to life. But world events, including President Kennedy’s assassination, threaten to overshadow any record Jack tries to beat – from sausage eating to face slapping. Nothing works, and Jack is about to give up when a new friend suggests a different approach that involves listening to, not breaking, records.
In Record Breaker, Stevenson effectively portrays a child who is overwhelmed by both global and family events. Jack’s voice is convincing as he struggles to deal with his loss and anxiety in wonderfully unconventional ways.
It’s an ordinary nightmare of a family trip until Theo realizes that the beautiful girl beside the hotel pool is his childhood babysitter – and his first crush. Theo hasn’t seen Ronnie in six years, but when she invites him to join her and her toddler son, Zach, on a road trip to Hollywood, he leaps at the chance to ditch his parents. But it isn’t long before he begins to regret his impulsive decision – especially when he sees Ronnie’s terror at being pulled over by the cops. What is she hiding? And what kind of a mess has he got himself into?
In this Orca Soundings novel for reluctant teen readers, Stevenson keeps the pace moving and the characters believable. Damage is vivid, unpredictable, and satisfying.
I’m pleased to announce that my contemporary middle-grade fantasy novel, titled Bog, will be published in Spring 2014 with Fitzhenry & Whiteside! I’m thrilled to be working with the talented Christie Harkin – a publisher with enormous passion for her titles.
Writing Bog has been a lesson in tenacity. It’s a book that’s immensely meaningful to me, yet writing it was grueling. I first conceived it in 2004, so it will be ten years, and a multitude of drafts, until it will be published. As Walter Wellesley “Red” Smith famously said, “There’s nothing to writing. All you do is sit down at a typewriter and open a vein.”
Want to know more about Bog? Here’s a sneak peak.
A cave in Northern Ontario
What is Bog about?
Deep in the forests of Northern Ontario, a cave troll named Bog has spent his young life hunting with his father, Jeddal, learning what it means to be a troll, and avoiding humans whenever possible. Until someone called the Troll Hunter begins turning trolls to stone, and teaching other humans to do it, too. When the Troll Hunter’s followers turn Jeddal to stone, Bog learns a dark secret about his origins that his father had tried to keep hidden: Bog is half-human.
Struggling with this news, Bog sets out after the Troll Hunter to avenge his father. On his quest, he’s joined by a large forest troll named Small and a human girl named Hannie, who would rather pretend to be a troll than return to her abusive father. As they venture deeper in human territory, Bog learns of the legendary Nose Stone, a rock rumoured to bring a stone troll back to life. When the Troll Hunter seeks to destroy both the Nose Stone and Bog, his quest becomes a race of cunning, trickery, and wits.
Where did the idea come from for the book?
I first conceived Bog after the attack on the World Trade Center in New York City and the ensuing war on terror. I wanted to write about cultural bias fostered by learned hatred from previous generations. But the novel is also a reaction to ethnic conflicts the world over – anywhere where there is hatred against another culture instead of acceptance and understanding of differences.
Why write about trolls?
I chose trolls because, in literature, they’re traditionally considered vile to humans. The point of view of a troll character sets up humans as “monsters,” asking what morals and values makes us human versus monster. For me, the novel explores what it means to be human as well as the journey from hatred to tolerance.
Attitude 
