Revise Your Picture Book Manuscripts: A Faculty-led, Writer-Centered Critique Group
Dates: Wednesdays March 26 – May 21, 2025 Time: 7:30 – 8:50 PM EST Where: Online
Do you have picture book manuscripts that you’d like to revise with a small, committed group of writers dedicated to helping you produce your best work? Join award-winning author and MFA-level instructor Karen Krossing for this in-depth, hands-on, nine-week workshop limited to eight participants. You’ll use your own manuscripts to explore picture-book craft/revision, you’ll discuss craft elements you can apply to your own manuscripts, and you’ll participate in weekly online discussions that dive into picture book craft topics.
Our nine weeks together include:
An initial session on learning how to participate in a writer-centered critique group—one that centers on each writer’s needs and creates a safe, nurturing feedback experience. (This session is required for participation.)
Eight 80-minute workshop sessions facilitated by Karen Krossing where writers will offer and receive targeted, constructive feedback that inspires revisions and helps you meet your writing goals.
Two manuscript critiques per participant during the workshop sessions, including feedback from Karen.
Learning about picture book craft from Karen and one another’s creative efforts and insights.
Eight weekly online conversation prompts about picture book craft in a separate, online digital learning space exclusive to the group.
You will complete the workshop with:
Having built a community of fellow picture book writers.
The revision tools and craft knowledge to revise your own manuscripts as well as your peers’.
Meaningful ways to workshop and evaluate picture book stories.
Two critiques of your picture book manuscripts.
The tools needed to form your own writer-centered critique group or enhance your existing group.
This workshop is for you if:
You seek targeted, constructive, inspirational feedback on your picture book manuscripts.
You want to expand your understanding of picture book craft with a focus on revision.
You want to co-create a safe, nurturing feedback experience for all levels of writers.
You are seeking a writer-centered critique group or the tools and insight to enhance your existing critique group.
I’ve updated my list of Where Young Authors Can Submit. It includes contests, publications, podcasts, workshops and communities for youth who like to write. Welcome to my latest addition – YouthWrite camps for kids who write located in Alberta!
Writing Groups that Work: Give and Receive Feedback that Supports the Writer
Date/Time: Thursday, June 6, 2024, 7:00–8:30 PM (EDT) Cost: $30 US Delivery: Online with session recorded for later viewing
Get the scoop on writing groups that work. In fact, why not invite your writing group (or writing partners) to join?
A well-run writing group can be a training ground for collective growth, support, and motivation to write. But some traditional groups can be unintentionally off-base, judgmental, and even harmful. In this 90-minute session, you’ll explore how to set up a writing group that centers on each writer’s needs, including creating a discovery experience to explore a project – where it came from, where it’s at now, and where the writer is inspired to take it next.
This course will cover:
how to form your ideal writing group, including where to find members and how to set it up for success.
how a writing group can foster inclusion and support for a diverse range of experiences.
how to prepare for feedback on your writing, including the value of an artist statement to introduce a piece of writing.
how responder(s) can prepare for a feedback session.
how a group can co-create a safe, nurturing feedback experience.
the roles of the responder(s) and writer during feedback.
what to do with the feedback you receive on your writing (and when to set it aside).
This workshop is for any writer or writing group seeking ways to offer and receive targeted, constructive feedback that inspires revisions and meets writing goals.
To register, go to the Whale Rock website. While you’re there, please also check out their many wonderful offerings for new, emerging, and established writers for children and youth. And don’t forget to subscribe to the Whale Rock newsletter!
Feeling It: Creating Emotional Depth in Your Novel
Dates/Times: Thursday, Feb 15, 22, 29 and March 7 at 7:00 to 8:30 pm ET (four sessions) Cost: $499 US Delivery: Online with sessions recorded for later viewing
“I just didn’t connect with the character.” “The character didn’t resonate with me.”
How many times do writers hear these phrases when submitting to editors and agents? These dreaded, vague responses can often leave writers scratching their heads. Was it the writing? The plotting? How can they write stories that readers can’t resist?
Emotionally deep stories grab readers’ attention and encourage them to care about the characters and their world. It’s one way to improve your writing and craft stories that readers (and agents and editors) connect to. Join Whale Rock faculty Laura Shovan and Karen Krossing for a deep-dive into getting your characters’ emotions on the page.
Participants are expected to bring a chapter from a novel at any stage of development. Each session will tackle different ways to achieve emotional depth, whether you are connecting emotionally to your writer self, your characters, or your story ideas. Sessions will include exercises and side-writing assignments and will explore drafting and revising to achieve emotional depth. Participants will have homework to complete between sessions.
Each participant will walk away with a chapter of greater emotional depth as well as the tools needed to tackle all their manuscripts. Participants will submit ten, double-spaced pages and receive feedback from one of the instructors.
This Workshop Is For You If
You are writing a middle grade or young adult novel.
You love plot and/or dialogue, but struggle with getting to your character’s heart.
You’ve received the dreaded “I just didn’t connect…” feedback on your manuscript.
You would like to explore new ways of emotional connection in your writing practice.
You are gearing up for submission and want to be sure your book hits the emotional highs and lows.
You are a novelist looking to enhance your skills.
To register, go to the Whale Rock website. While you’re there, please also check out their many wonderful offerings for new, emerging, and established writers for children and youth. And don’t forget to subscribe to the Whale Rock newsletter!
I’m happy to announce my next workshop with Whale Rock Literary Workshops. I’ll be co-teaching a workshop on social-emotional writing in fantastic literature with US author and poet Laura Shovan. Please check out her latest book – a children’s poetry collection called Welcome to Monsterville. My books with monstrous characters and social-emotional themes include my picture book Sour Cakes and my novels Monster vs. Boy and Bog.
Addressing the Monster in the Room: Social-Emotional Writing in Fantastic Literature
Dates/Times: Sept. 21 and 28 at 7:30 to 9:00 pm ET (two sessions) Cost: $60 US Delivery: Online with sessions recorded for later viewing
Ursula Le Guin writes in Cheek by Jowl, “What fantasy often does that the realistic novel generally cannot do is include the nonhuman as essential.”
Monsters of all sorts live in our dreams, embodying our deepest emotions. They are guides to our truth and, as such, they play a huge role in social-emotional development. While realistic fiction centers the intricacies of humans, fantastic fiction is the imagination on fire, exploring shadow versions of our world and breathing life into our inner monsters. Stories about monsters – whether they appear in a game of Dungeons and Dragons, in a poem, or in a work of fiction are essential, especially in our post-pandemic times. They help readers and listeners better understand how to manage emotions, develop healthy identities, feel empathy, and show support for others.
This two-session workshop will ask four key craft questions to help you incorporate the monstrous into your writing. What is your protagonist’s relationship to the monstrous? What are your monster’s physical, emotional, and/or magical character traits? What metaphors or image systems define your monster and why? Does your monster live alongside our real world or has the protagonist crossed into the monster’s world? Our goal is to deepen your work’s social-emotional themes, offering you and your reader an opportunity to better understand the heart, mind, and spirit.
This Workshop Is For You If
You are drafting or revising a picture book or novel with a monstrous theme and/or character.
You are seeking to deepen your monstrous character(s) (widely defined as invented creatures of any kind).
You’d like to explore how monsters in fiction support social-emotional learning and themes.
To register, go to the Whale Rock website. While you’re there, please also check out their many wonderful offerings for new, emerging, and established writers for children and youth. And don’t forget to subscribe to the Whale Rock newsletter!
I’m excited to be heading to the July 21 to 29 residency for the Vermont College of Fine Arts as a Teaching Assistant in the Picture Book Intensive semester! This will be the first time the residency happens in Colorado Springs – a huge transition for everyone. I’ll be working with faculty member Loree Griffin Burns to support the students during residency and for the rest of the semester too. I’ll also be delivering a lecture and reading. It’s a great opportunity for me to learn more about how to mentor children’s writers. I’ve been prepping my lecture, and I can’t wait to share it. Plus, it’ll be wonderful to soak up all the wisdom and creative energy of an in-person residency. I’m especially excited to connect with my fellow Teaching Assistant Laura Obuobi, author of the fabulous picture book Black Gold, and to see so many friends deliver their graduating lectures. These writers are brilliant, folks.
Here’s my lecture topic. If it’s available to the public, I’ll be sure to share a link:
Generating Story Approaches: How Else Can You Tell It?
You’ve written a good story, or you have a good story idea. How can you make it great? One way is to improve the writing craft skills you’ll need to write it. Another is to consider the optimal approach to writing it. Taking the time to generate and assess alternative story approaches at the start of your writing process and during revision can elevate a good story to greatness. This lecture will explore the process of generating alternative story approaches using mentor texts as our guides.
Reading in Colorado Springs: Monster vs. Boy
While I’m in Colorado, I’ll also be visiting local bookstore Tattered Cover for a reading and presentation of my new middle-grade novel Monster vs. Boy, which will be published on July 11. If you’re around and available, I would love to see friends there!
When: Saturday, July 29 at 6 to 8 pm Where: Tattered Cover Book Store, 112 N. Tejon St, Colorado Springs
