Exciting news! I’ll be publishing a new fantasy novel for kids with Charlesbridge Publishing. Thanks to agent-extraordinaire Ginger Knowlton of Curtis Brown for her support. Thanks to Alex McKenzie and Charlesbridge for seeing the potential in this novel. Here’s the official announcement:
I’m grateful to the Ontario Arts Council for awarding a writing grant to this project when it was a newly hatched idea. I’m also grateful to my creative community for feedback and encouragement while writing and revising.
Monster vs.Boy includes a character who might be my personal favourite among all those I’ve written so far. But I don’t think an author is supposed to have a favourite, so let’s just say that I adore writing this one.
Ever since I first heard Erin Nuttall read from her works-in-progress during our time together at the Vermont College of Fine Art’s Writing for Children and Young Adults MFA program, I was a fan. She is a writer to watch, and I’m sure we’ll be reading her middle-grade and young-adult novels in the future. Thanks to Erin for interviewing me about side-writing on KidLit Craft – a terrific blog you’ll want to explore. You can check out Erin’s thoughts on side-writing in her inaugural post on KidLit Craft, and stayed tuned for more side-writing exercises on the blog all month.
In a virtual meeting for CANSCAIP Members and Friends across Canada, I’ll be speaking with panelists S.K. Ali and Nadia Hohn as well as moderator Glen Huser about our faculty and student experiences in writing programs and schools.
Have you considered a degree in creative writing? What degrees are out there? What is the workload? What can you gain? And – is it worth the money?
Date and Time: March 10, 7 p.m. ET Guests are welcome, and can contact office@canscaip.org to request the Zoom link.
Our world has been going through extraordinary changes, and so have we as writers. Who are you now? What stories are currently simmering within you, waiting to be told?
In this hands-on workshop, I’ll explore how to tap into ourselves and our stories through the practice of side-writing, which refers to stepping away from the story on the page to explore the raw heart of it through creative exercises. You’ll explore how side-writing can help us to write true to ourselves, plumb the emotional depths of our characters to better connect to readers, and spark joy and play in our writing.
Now, you can listen to Catherine’s interview with me on Cabin Tales. It includes my advice to young writers with writer’s block, and tales of terror from my childhood. (Yes, I was afraid of closets. Maybe I still am.)
This week, I signed a contract for my third picture book! I’d like to share all the details, but for now, I can tell you that it’s a nonfiction picture book scheduled for Spring 2023 with Groundwood Books. Oh, the anticipation!
This manuscript took 28 drafts (so far) to find its path, and it’s had plenty of help along the way. A shout-out to my critique groups and partners for all their insights. A special shout-out to the Vermont College of Fine Arts, which helped me learn how to write this new-to-me genre. And much gratitude to my agent Ginger Knowlton of Curtis Brown for her support, as well as Groundwood for seeing the potential in this manuscript.
No one wants to visit writer’s block. But it happens, especially after months and months of a pandemic. The world can be distracting and disturbing. My brain and body can become too out of kilter to write. I get stuck. I doubt myself and my stories. It happens to all creators at some point.
It can feel like I’m wandering in an endless loop. Or like I’m trapped and unable to move.
When I visit schools, I often get asked how I overcome writer’s block. Here are a few ways that have worked for me. Hopefully, you’ll find something that’ll work for you when you get stuck.
Ways to Overcome Writer’s Block
Set a daily word count. Sometimes, I need to push my way through a writing block. By writing a little bit every day, I keep my story in my head. I like to set a low daily word count, like 200 words/day. I often write more, but my goal is to get started each day.
Put the manuscript in a drawer. When I’m not sure what to write next in a story, I write down the unanswered questions I have about the manuscript, then I put it away for a few days, weeks, or months. My subconscious writer’s brain will work on answering the questions while I’m doing other things. When I come back to the manuscript, I’m often surprised to discover that I have the answers to my questions.
Get feedback from trusted critique partners. I’m a big fan of writing critique groups and partners, partly because it’s hard to be objective about our own writing and partly because I adore spending time with other writers. When I’m stuck, fresh eyes on my manuscript can help me find new ways forward. And helping other writers makes me a better writer too.
Re-read what I already wrote on a story. When I sit down to write each day, I usually re-read what I wrote on it the day before. Sometimes, I need to re-read an entire draft of a novel to be able to see how to write the next part.
Talk with a friend about why I’m stuck. I often talk to a friend or family member when I’m stuck. As I talk, the problem usually comes into focus. Sometimes, they have ideas that spark me. Either way, I feel supported and ready to dive back in.
Write outside of the story. Some people call this “side writing,” and it can take many forms. For example, I might write a scene from a different character’s point of view, write a letter from one character to another, brainstorm ideas for what might happen next, ask my character a series of questions to get to know them better, write a poem about my story, and so on. There are a million ways to do side writing, but basically, the goals are to play with your story, to loosen up, to get to know your story and characters better, and to re-kindle your writing.
Take a writing class or read about writing craft. When I’m struggling with a manuscript, sometimes I need to learn more about how to tackle a particular writing challenge. For example, I took screen-writing courses when I had trouble with plotting, and I regularly read books about writing for tips and techniques.
Take a break. Not every day is a writing day. It’s okay not to write for days or even months at a time. Sometimes, I need to get away from my writing desk to rest and recover or to experience the world. So if writing is slow, consider taking a nap, going for a walk, or even launching a grand adventure! Of course, these days, that will be six-feet apart and wearing a mask, but we can still find ways to adventure.
If you have other suggestions for overcoming writer’s block, please let me know. I’d love to hear them!
