The Weekend of Words Festival on September 15 to 17 in East Toronto will feature a series of reading, writing, and performance events and workshops throughout the east end, including the What’s Your Story, East Toronto? celebration of reading and writing.
As part of the festival, I’ll be running a free writing workshop on revision. Please join me!
How to Revise Your Writing
Where: East York Civic Centre, 850 Coxwell Ave, Toronto
When: September 17
Time: 12- 2 pm
To make readers care, your memoir or fiction writing must be told with finesse. In this workshop, you’ll discuss how to re-envision a work-in-progress, explore the craft of revision, and learn tips for focusing and polishing your stories. Since this workshop will include writing activities, you’re welcome to bring a work-in-progress that you want to revise.
Our lives are the fuel for our writing. The everyday places where we spend time, the people we meet, the events that still haunt us or inspire us — all of these infuse our stories, poems, memoirs, and rants.
Please join me for Art MEETS: Writing in Place — a writing workshop for ages 16 and up. Using fun and inspiring prompts, like six-word stories and writing based on photos, you’ll learn writing techniques and explore how your everyday experiences can enrich your writing. You can also bring a story, poem, memoir, or rant that you’d like feedback on, as well as your questions about writing techniques or how to get published. Designed for emerging writers and diverse voices, this inclusive workshop will also help you prepare your writing for two East End Arts writing opportunities.
My City My Six is a public art project in partnership with the City of Toronto, where individuals are encouraged to submit six-word stories to be included in a local east end and City-wide exhibition in September and October. What’s Your Story, in partnership with the Ontario Book Publishers Organization and Toronto Arts Council, is a writing competition for both established and emerging writers.
Tuesday, January 24, 2017
4:00 p.m. – 6:00 p.m.
Girls Are, 145B Main Street, Toronto
Ages 10 plus
Cost: $20 per person
To register, call Angela at 416-624-3006 or email angela@girls-are.com
Join me for a WordPlay writing workshop on the theme of beauty and body image. Using inspiring writing prompts, like masks and photos, you’ll write poems, stories and/or rants. Spark your imagination and enjoyment of creative writing in this hands-on workshop.
StoryPlay (ages 4 plus): Join me for fun word games and shared story writing. Using inspiring starters like story dice, you’ll spark your imagination and enjoyment of story-building in this interactive workshop.
Tuesday, March 14, Dowling Branch, 6 to 7 pm
Wednesday, March 15, Main Branch, 10:30 to 11:30 am
How to Create a Believable OtherWorld (ages 8 plus): Whether you write about unicorns or alien planets, an imaginary world needs rules and structure in order to be believable. In this workshop, you’ll learn how to create a fully imagined fantasy or science-fiction world and the characters who live there.
Monday, March 13, Consiton Branch, 6 to 7:30 pm
Tuesday, March 14, New Sudbury Branch, 10:30 am to 12 pm
Wednesday, March 15, Lively Branch, 1 to 2:30 pm
Wednesdays on April 5, 12, 19, 26
4:00 p.m. – 5:30 p.m.
Toronto Public Library, Evelyn Gregory
Ages 8 to 12
Registration begins March 1 at the branch or by calling 416-394-1006
In this four-week workshop, you’ll build your own characters and write scenes and stories. You’ll also create villains, write based on real-life events, and create fantastical worlds for your characters to live in. Have fun with creative writing in this free hands-on workshop.
Book me for a writing workshop this Fall to help get your students writing. With great writing prompts and plenty of advice for overcoming writer’s block, my workshops inspire kids and teens to create. Popular workshops include Stories Inspired by Real-Life and How to Create a Believable OtherWorld. You can check out more of my workshop ideas here. Customized workshops are also available.
Bonus: Book before November 1 and get a FREE copy of Punch Like a Girl or Bog for your school library.
“After Karen’s writing workshops, my students were so motivated that they set their goals high and began producing the beginnings of novels for their fantasy stories. Some of their best work this year came from Karen’s workshops.” Kris Madill, Grade 5/6 Teacher, Beaches Alternative School
“The workshop in my opinion was freaking awesome. I enjoyed it a lot. I love to write. It is one of my favourite pastimes. It helps you figure yourself out as well as clear your head. The only thing about the workshop that I did not like was the fact that it was rather short, and in my opinion, it would have been more effective and entertaining if we were able to have you come back for a full day! The one aspect of the workshop that I really enjoyed is that the creativity level of each participant was phenomenal. Everyone was really creative, motivated, and descriptive in their short stories.”
Workshop participant at Covenant House
At Authors for Indies Day last year, I recorded this short interview for Turning Pages, produced by local cable channel CogecoTV. The show looks at what’s happening in the world of books and publishing through conversations with authors, readers, and publishing professionals. Thanks to host Roxanne Beale, owner of Roxanne’s Reflections Book & Card Shop, a well-stocked independent bookstore in Fergus, Ontario. It was a pleasure to chat about books and writing, and to visit her store for Authors for Indies Day. Here’s to supporting our indies!
At the SCBWI Canada East conference in Ottawa this weekend, I received my shiny Crystal Kite Award in the Canada division for Bog, published by Fitzhenry & Whiteside and edited by the fabulous Christie Harkin and Cheryl Chen. This award is particularly meaningful to me because it’s peer-given. I’m honoured and thrilled that my own people would recognize Bog in this way. He’s a character who is near and dear to my heart, but I must admit that his creation was fraught with rejections and roadblocks.
Crystal Kite ceremony with Peggy Collins, Alma Fullerton and Michelle Jodoin
At the ceremony, I shared an anecdotal journey of my creation of Bog, including my inspiration, struggles, and what I learned. This blog post is an excerpt from that talk.
Overcoming Self-Doubt
At times when I was writing Bog, self-doubt slowed my process. Why was an adult woman spending her time squirreled away alone and writing about a cave troll? Would anyone want to read my story? Was I mad?
I learned that, when doubt creeps into my writing process, I need to rekindle my joy in writing. Yes, writing is a way I earn money, but it’s also a passion. With Bog, I rekindled my joy by playing. Exploring who Bog was in his world. Allowing myself the time and space to imagine him fully. I also learned that if I’ve lost the joy, I may need to switch to another project until I can rekindle my passion.
Finding Characters with Personal Meaning
Picture me in grade nine: Less than five feet tall. Weighing less than a hundred pounds. Painfully shy. With an overactive imagination.
When I hit five feet tall, I banned short jokes in my family. But at school, I got called small and cute a lot. Too much. My rebellious streak took over. I began to hate being called small and cute. I began to tell everyone that I was very large and hairy – at least on the inside. And so, my inner troll was born.
Since then, it’s become been a running joke in my family: Karen – big and hairy. In fact, this theme shows up years later in a hand-drawn birthday card from my eldest daughter. My daughter knows what it’s like to have a troll for a mother.
And so, I learned to write characters who carry personal meaning for me. When I connect with them, write them deeply, readers can connect to them too.
Gathering Inspiration from Other Creators and Their Work
Inspiration for Bog’s character continued when I saw the trolls in the Lord of the Rings movies. Maybe you remember the cave troll in the Mines of Moria, chain by the orc and dragged around by his neck collar to do their bidding. Everyone else watching the movie was probably worried about Frodo at that point, but I was wondering why the troll was chained and whether he was coerced into being a warrior for the orcs. Did he want to fight against Frodo? Was he treated fairly by the orcs?
So the idea of writing a novel featuring trolls was born. And I learned that I could build on the ideas of other creators, explore them from new angles, and gain new insights.
Finding Story Sparks Even in Dark Moments
Another influence for Bog came on 9/11 and the days and months afterward. In a way, this novel is my reaction to the terrible destruction of the World Trade Center towers, and the ensuing war on terror. But it’s also a reaction to ethnic conflicts and violent extremism the world over – anywhere where there is learned hatred against another culture instead of acceptance and understanding of differences.
On 9/11 and in the days that followed, I learned that even dark moments can hide story sparks. I also learned that I could show the dark side of life to kids and help us all make sense of it.
No Holidays from Inspiration
By this point in my writing process, I was researching things like phases of the moon, the forest and its creatures at night, how far a troll can walk per night, troll lore from both Norse mythology and ingenious stories, and what drives people to terrorism. But it wasn’t until I went on a camping trip in northern Ontario that I finalized my setting.
Sleeping Giant, Lake Superior
The novel creates a mythology around the landscape north of Lake Superior in Ontario. The setting is based on real places, including the wilderness north of Thunder Bay, the Sleeping Giant peninsula in Lake Superior, and the ruins of a flooded silver mine on Silver Islet.
From my camping trip, I learned to be open to inspiration from daily life. To pay attention. There are no holidays from inspiration.
Managing Roadblocks and Rejections
At this point, I was ready to start writing. I knew my story. I could write this book.
Or not.
This book was the hardest one I’ve written so far. It took more rewrites than I expected – a total of ten years from conceptualization to printed book. First, I got stuck while writing first draft. I had to learn more about plotting. So I got hooked on screenwriting seminars by John Truby, Robert McKee, and Christopher Vogler. Then I had to learn more about how to express character and meticulously craft a sentence. I sought out conferences, writing books, mentors, and critique partners. When I did get a readable draft written, I submitted it to a lot of agents, sure that this would be my breakout book. This book mattered. It would find its home.
But it found a lot of rejections. And I found my way tangled.
This taught me that my writing journey is not steady or consistent. It’s full of detours, roadblocks, and surprising discoveries. I also learned something about the way I react to rejection. I mourn. Then I get fierce. I think, “I can so write a great book.” I pull out the manuscript again, and I go at it once more, getting feedback, envisioning a new draft, and writing to prove to myself that I can succeed.
No Shortcuts in Writing
If I could talk to my pre-published self, I’d say have a little faith in yourself and your writing instincts but don’t think you can perfect the craft without putting in a lot of writing hours.
I’ve also learned that I can recover from a rejection, or a lot of rejections, if I keep writing and revising. And I can find an innovative way around any roadblock, if I stay steady on my creative journey.
