New Book Deal: My Second Picture Book

New Book Deal: My Second Picture Book

A year ago, I announced my debut picture book – a story of two siblings told in just 230 words to be published by Owlkids Books in Fall 2021. Yesterday, I reviewed the illustration roughs for it by Anna Kwan, and they were brimming with life and emotion. I can’t wait to share more about this book!

Now, I’m excited to announce that I’ve signed a contract with Owlkids Books for a second picture book! I’m thrilled to be working with the talented Owlkids team once again. This time, it’s a nonfiction picture book, and I’ll share more about it later. The germ of the idea began when I was watching a documentary, and after much research, I wrote my first draft in my third semester at the Vermont College of Fine Arts. Fifteen drafts later, it was accepted for publication, which is scheduled for Fall 2022.

A special shout-out to my critique partners who patiently read many drafts, to VCFA faculty William Alexander and Cynthia Leitich Smith for critiquing early drafts, and to my agent Ginger Knowlton of Curtis Brown for her support.

Time to celebrate!

How to Revise a Picture Book (Part 2)

During my MFA in Writing for Children and Young Adults at the Vermont College of Fine Arts, I wrote about how to revise picture-book manuscripts. I’m happy to share this as a two-part article in the CANSCAIP News.

The first part was published in the Spring issue, and it focuses on beginnings and endings. Now, the Summer issue includes the second part on how to revise the messy middle.

For the article, I visited my local archive—the Osborne Collection of Early Children’s Books in Toronto—to seek original manuscripts that became acclaimed picture books. I then analyzed how three authors revised their manuscripts, including Kathy Stinson’s Red is Best (illustrated by Robin Baird Lewis, published by Annick Press), Linda Granfield’s The Road to Afghanistan (illustrated by Brian Deines, published by Scholastic Canada), and Paulette Bourgeois’s Franklin in the Dark (illustrated by Brenda Clark, published by Kids Can Press).

Many thanks to the Canadian Society of Children’s Authors, Illustrators and Performers for publishing both parts. Thanks also to Kathy Stinson, Linda Granfield, and Paulette Bourgeois for permission to quote from their archived material. Happy revising!

New Book Deal: My Debut Picture Book

New Book Deal: My Debut Picture Book

I’m thrilled to announce that I just signed a contract with Owlkids Books for my debut picture book!

Picture books hold a special place in my heart. They’re a joy to read aloud. You can share them with any age. We are never too old for picture books! They create magic in only a few words. And to see my words illustrated? Priceless.

This picture book began as a germ of an idea that I finally put to paper when I needed to write a lyrical story during my Picture Book Intensive semester at the Vermont College of Fine Arts. Nineteen drafts later, it landed a contract. Who says picture books are easy to write?

A special shout-out to my Picture Book Intensive faculty advisor – Liz Garton Scanlon, author of the Caldecott-honoured picture book All the World. Liz is an inspiration.

My critique partners – both at VCFA and in the Great White North – read this manuscript more than once. Thanks to you all!

And of course, I need to thank the talented folks at Owlkids Books, who saw the potential in this manuscript. I am so grateful!

More about the book later, but for now I’ll tell you that it’s scheduled for publication in Fall 2021, and I can’t wait!

Now where did I put that bottle of champagne?

How to Revise a Picture Book (Part 1)

How to Revise a Picture Book (Part 1)

As one of my many explorations during my MFA in Writing for Children and Young Adults at the Vermont College of Fine Arts, I wrote about how to revise picture-book manuscripts. Now, that writing has become a two-part article in the CANSCAIP News!

For the article, I visited my local archive—the Osborne Collection of Early Children’s Books in Toronto—to seek original manuscripts that became acclaimed picture books. I then analyzed how three authors revised their manuscripts. This included Kathy Stinson’s Red is Best (illustrated by Robin Baird Lewis, published by Annick Press), Linda Granfield’s The Road to Afghanistan (illustrated by Brian Deines, published by Scholastic Canada), and Paulette Bourgeois’s Franklin in the Dark (illustrated by Brenda Clark, published by Kids Can Press).

Many thanks to the Canadian Society of Children’s Authors, Illustrators and Performers for publishing the article, and to Kathy Stinson, Linda Granfield, and Paulette Bourgeois for permission to quote from their archived material.

You can read the first part of the article here (in the Summer 2019 issue). This part discusses beginnings and endings. The second part will explore how to revise the messy middle of a manuscript.