An Interview on Side-Writing

Ever since I first heard Erin Nuttall read from her works-in-progress during our time together at the Vermont College of Fine Art’s Writing for Children and Young Adults MFA program, I was a fan. She is a writer to watch, and I’m sure we’ll be reading her middle-grade and young-adult novels in the future. Thanks to Erin for interviewing me about side-writing on KidLit Craft – a terrific blog you’ll want to explore. You can check out Erin’s thoughts on side-writing in her inaugural post on KidLit Craft, and stayed tuned for more side-writing exercises on the blog all month.

And if you want even more on side-writing, you can sign up for my workshop Fresh Stories for a New World: Finding Your Stories Through a Practice of Side-Writing with SCBWI Canada East on April 10.

Upcoming Talks

Upcoming Talks

CANSCAIP Monthly Membership Meeting: Panel Discussion

In a virtual meeting for CANSCAIP Members and Friends across Canada, I’ll be speaking with panelists S.K. Ali and Nadia Hohn as well as moderator Glen Huser about our faculty and student experiences in writing programs and schools.

Have you considered a degree in creative writing? What degrees are out there? What is the workload? What can you gain? And – is it worth the money?

Date and Time: March 10, 7 p.m. ET
Guests are welcome, and can contact office@canscaip.org to request the Zoom link.


Fresh Stories for a New World: Finding Your Stories Through a Practice of Side-Writing

As part of SCBWI Canada East’s Digging Deeper series, I’ll be delivering a virtual workshop.

Our world has been going through extraordinary changes, and so have we as writers. Who are you now? What stories are currently simmering within you, waiting to be told?

In this hands-on workshop, I’ll explore how to tap into ourselves and our stories through the practice of side-writing, which refers to stepping away from the story on the page to explore the raw heart of it through creative exercises. You’ll explore how side-writing can help us to write true to ourselves, plumb the emotional depths of our characters to better connect to readers, and spark joy and play in our writing.

Date and Time: April 10, 1 to 2 p.m. ET
Cost for members:
$15
Registration closes at noon on April 8.

Upcoming Talk: SCBWI Canada East Art of Story

UPDATE: Thank you to the organizers of the SCBWI Canada East Art of Story Conference, who have wisely decided to cancel it due to covid-19. I hope to be back as a speaker at a later event. In the meantime, they’re hoping to host online workshops and distance critiques so stayed tuned!

I’m thrilled and honoured to be included as faculty at the upcoming SCBWI Canada East Art of Story Conference. This is an intimate and craft-based conference focused on writing and illustrating for children and teens. I hope you’ll be able to join us.

Date: April 24 to 26, 2020
Place: Albert at Bay Suite Hotel, Ottawa

Applications for the Rising Kite Diversity Scholarship and the Gift of Creativity bursary are available.

You can check out all the faculty and workshops. My talk will be based on my critical thesis and grad lecture I completed during my MFA in Writing at the Vermont College of Fine Arts. I’m excited to be able to share it with a wider audience.

How To Build Character Cultural Literacy
To reflect the full and varied reality of human experience, all writers need to respectfully and thoughtfully depict secondary characters with a range of cultural beliefs. Even when our protagonists largely mirror us, can we say the same for all their friends?

Each character we create exists within a global village and within a particular nation, neighbourhood, social class, ability level as well as an ethnic, gender, sexual orientation, family, and peer group—each with its own distinct culture. Awareness of our characters’ culture beliefs will deepen their presence on the page.

Using insights from contemporary cultural anthropologists, I’ll introduce tools we can use to identify our characters’ deep-level cultural beliefs, offering insights into their motivations and story arcs. I’ll focus on family culture since that’s where we first learn and express our beliefs, although these tools can be applied to other cultural groups. We’ll also compare our own cultural beliefs to our characters’ to discuss the importance of respecting #OwnVoices, writing within our cultural elements, and avoiding bias through omission.

Young Voices Magazine 2018

Today I’m sad and proud at the same time. I’m sad because this 2018 edition of the Toronto Public Library’s Young Voices Magazine is my last one. I’m proud because I’ve helped launch teen writers through this magazine since 2007.

I enjoyed every minute. I loved reading the selections and meetings with teen editors to select pieces. I loved the launches, where teen writers and artists shared their inspiration. I loved working with librarians to develop the program. I loved delivering writing workshops in libraries and through outreach to places like youth shelters and an eating disorder clinic. Most of all, I love reading the magazine.

You can pick up your copy at any TPL branch or read it online here.

And for Toronto youth, the Young Voices Writing and Art Fest is this weekend!

Workshop: Become Your Own Plot Doctor

I’m excited to be presenting at CANSCAIP‘s Packaging Your Imagination 2018 along with so many talented creators and industry experts. You can check out the full line-up here. The date is November 10, 2018. Hope to see you there!

I’ll be delivering a workshop on plot. Whether you’re outlining, writing, or revising, an analytical examination of your story will help diagnose and treat any plot problems. I’ll be discussing how to become your own plot doctor by asking yourself questions about your characters and story, and then intuitively answering those questions.