Enter to win one of two signed copies of my debut picture book Sour Cakes, illustrated by Anna Kwan and published by Owlkids Books! Told in striking, conceptual illustrations, this story explores empathy, emotional acceptance, mental health, and acknowledging difficult feelings in a warm, accessible way. A 2021 Ontario Library Association Best Bets selection! Visit Goodreads to enter!
News
Happy Indie Bookstore Day!
April 30 is Canadian Independent Bookstore Day – an initiative from the Canadian Independent Booksellers Association to celebrate our fabulous local indie bookstores. I’ll be spending time at one of my many favourite local booksellers, like Ella Minnow Children’s Bookstore, Book City, and Mabel’s Fables Bookstore.
Did you know that every book purchased from a Canadian indie bookstore on April 30 is worth one entry to win one of three prizes? Books written and/or illustrated by Canadian creators will be worth double. Books can be purchased in-store, online, or by phone. For more info about how to win, check out the contest rules.
And what a great day to pre-order a book! My upcoming picture book One Tiny Bubble, illustrated by Dawn Lo and published by Owlkids Books, is available for pre-order now. It’s a vibrant poetic story of one tiny bubble that sparked all life on Earth – including yours. You can find an indie bookstore near you on IndieBound.
Happy World Read Aloud Day!
Happy World Read Aloud Day! Today, I’ll be visiting virtually with grade 3 classes at Claremont Elementary School in Ossining, New York, to share my picture book Sour Cakes.
For everyone else, here’s a link to a video I made for another World Read Aloud Day. You can listen to me read from my novel Bog, which won the SCBWI Crystal Kite Award for Canada in 2015. In Bog, a cave troll with a grudge against humans is forced to confront his own prejudice when he embarks on a quest into human territory. Read on!
Cover Reveal: One Tiny Bubble
It’s cover reveal day! I’m thrilled to share the cover of One Tiny Bubble! This nonfiction picture book is gorgeously illustrated by Dawn Lo, written by me, and published by Owlkids Books! It’s available for pre-sale now and coming to a bookstore near you in September 2022.
One Tiny Bubble is the true story of LUCA - our Last Universal Common Ancestor. Over 3.5 billion years ago, a few ingredients bubbled together to create LUCA. No big deal? Think again! This one-celled being, which was tinier than a cupcake sprinkle, triggered mighty changes on our planet. You and every unique life-form now on Earth share this one relative, making us all part of one LUCA family.
Grounded in science, One Tiny Bubble is a poetic reminder of our fundamental connection to the extraordinary life around us, and perhaps, among the stars.
Dawn and I can’t wait to share this book with readers in the Fall!
Sour Cakes an OLA Best Bet
Happy news! My debut picture book Sour Cakes has been selected as an Ontario Library Association Top Ten Best Bet for 2022! I’m so proud to share this honor with illustrator Anna Kwan and publisher Owlkids Books! More Owlkids Best Bets are listed here, including Stephanie McLellan, Zoe Si, Marie-Claude Ouellet, Rogé, Deborah Kerbel, and Angela Poon! Congrats to all! The full list will be announced on February 2. Thanks to the Best Bets committee for all the work they do! You can check out past Best Bets lists for fabulous reads.
Praise for Sour Cakes
I’m thrilled with the positive response to my debut picture book Sour Cakes, illustrated by Anna Kwan and published by Owlkids Books. Since its first review in Publishers Weekly, it has received many lovely reviews that point to the same thing: this book provides a wonderful way into conversations about emotional health and acknowledging difficult feelings with compassion.
“This sensitive narrative shows the significance of empathy in meeting people where they’re at.” Publishers Weekly
“An ode to sibling relationships and how, in particular, a sibling can lift you up when you are in the stormiest, heaviest of moods.” Seven Impossible Things Before Breakfast
“Empathetically acknowledges children’s big feelings and engagingly models emotional health.” Kirkus Reviews
“A wonderful antidote to … toxic positivity…. An uplifting and meaningful story about difficult feelings, the strategies we use to express them, and a reminder that there are supportive people you can turn to.” Canadian Children’s Book News
“By accepting big, negative emotions without condemning them or dismissing them, this book is great for launching discussions about when and how to express moods and feelings.” School Library Journal
[5/5 Stars] “Sour Cakes, a sensitive story, presents a great opportunity for discussing feelings, how we can express them, and the importance of empathy. Highly Recommended.” Canadian Review of Materials
For suggestions on how to use this book as a discussion starter, please see the Discussion Guide and Colouring Pages.
Explore SCBWI BookStop
Are you looking for a book to read or give as a gift? SCBWI BookStop to the rescue! You can check out my debut picture book Sour Cakes (illustrated by Anna Kwan), plus so many more books to love!
Sour Cakes: Available Now!
Happy book birthday to Sour Cakes! Today, I’m celebrating with a lemon curd cake. My hope for this book is that it will reach those who need to read it. May Sour Cakes spark conversations about big emotions that are both sweet and sour.
You can read a BookFlap post titled Sweet & Sour Siblings, where illustrator Anna Kwan and I talk about creating Sour Cakes. BookFlap has fabulous kid-lit content to love and explore. Please check it out and subscribe!
Thanks to author L.E. Carmichael, you can also read a Cantastic Authorpalooza post about the book: Sparking Conversations About Emotions with Sour Cakes. Please also check out other posts in the Cantastic Authorpalooza series, plus Lindsey’s excellent books!
Many thanks to Owlkids for producing such a beautiful book! May it find its way in the world!
My Journey to Becoming a Picture-Book Author
In a few weeks, my debut picture book will be published by Owlkids Books. I’m counting the days!
It’s a journey that began years ago, when I first fell in love with picture books as a child and, later, when I fell in love again as I read them aloud with my daughters. I adore how picture books are kind of like poetry—simple and short, yet layered and deep. How they’re a read-aloud delight of rhythm and patterns, repetition and humour, colour and wonder. How they’re a way to connect to a child reader, heart to heart, with great authenticity and emotion.
I began my quest to become a picture-book writer by analyzing picture books I adore. How did they work their magic? Later, I started critiquing the manuscripts of friends, applying what I was learning to understand how they were written. I’m grateful, in particular, to Frieda Wishinsky, who patiently taught me much during our coffee dates. Finally, I began to write my own tentative picture-book manuscripts, celebrating my messy experiments and learning from trial and error.
I became more and more excited by the possibilities of the picture-book format, so excited that I enrolled in an MFA program at the Vermont College of Fine Arts (VCFA). My first semester was a Picture Book Intensive with wonderful faculty advisor Liz Garton Scanlon, and it was an explosion of growth and learning.
I read and analyzed over 220 picture books during that semester, and I wrote critical essays to gain more insights. You can read my articles on “How to Revise a Picture Book” (Part 1 and Part 2), which I first wrote at VCFA and later published in CANSCAIP newsletters.
And I wrote and revised 12 picture books during my first semester, including metafiction, fiction, narrative nonfiction, concept books, rhythmic/lyrical, dark/difficult topics, and wordless. I explored how to limit my words so that the illustrations could take up more space in the story. How to set up highly illustratable moments with my text. How to build a frame for my story that supports the characters and plot. How to hold a manuscript lightly so it can grow and change into what it wants to be. How to write narrative nonfiction using fiction techniques. How to rewrite a single spread twenty or thirty times until I found what works. How to play with strong verbs, rhythm, and repetition. How to cut, cut, cut words to distill my manuscript into its essence.
One of my manuscripts during this semester was titled If I Wrote You a Poem, and it went on to become Sour Cakes, wonderfully illustrated by Anna Kwan.
This manuscript began as a collision of two ideas: writing about creativity and a sibling who supports another during a low time. When I let go of it being a manuscript about creativity, it became a conversation between the siblings. I wrote the first six lines and had to let it sit. Then I wrote the next twelve lines and let it sit. Then the whole story emerged. I needed to respect the creative process, not force it to be about a theme I’d predetermined, and I needed to find the characters’ voices. I did plenty of exploratory writing on the characters so I could deepen the story.
It’s been an honour to collaborate with Owlkids and Anna Kwan on Sour Cakes. It’s become all I’d hoped for when I first typed my tentative words into a blank file – a conversation between two siblings, a big one who wants to play and a little one who feels sour. Sour Cakes is told only in dialogue as Big and Little navigate how to acknowledge one’s difficult emotions and how to support someone who’s feeling those big feels. It springs from my family experiences with mental-health challenges, and it’s a deeply personal book.
I look forward to writing picture-book manuscripts for years to come, some that will find a publishing home and some that will not. In fact, I have two more picture books under contract, which I’m excited to share. Still, it’s the writing journey that calls to me. The open-hearted wildness of writing in this format that I treasure for a child audience who I value.
First Review of Sour Cakes
Illustrator Anna Kwan and I are delighted with this first review of Sour Cakes from Publishers Weekly. Coming October 15 from Owlkids Books and available for pre-order now!
Sour Cakes and Social-Emotional Learning
My upcoming picture book Sour Cakes, wonderfully illustrated by Anna Kwan, explores what happens when a sibling experiences emotions that feel too big to handle. The dual perspectives of a big and a little sister invite readers to delve into how it feels to support a sibling during a hard time as well as how to acknowledge one’s own difficult emotions. Anna Kwan’s appealing conceptual illustrations help readers map out these messy feelings.
My inspiration for writing Sour Cakes was my family history of mental health challenges. Depression, anxiety, and the effects of past traumas have impacted our daily lives and shaped each generation in different ways. I wrote this book to acknowledge and accept this difficulty, but also to honour the ways we support and sustain one another.
My hope is that Sour Cakes will spark conversations about mental health awareness and social-emotional learning in readers young, old, and in between. To help with that, Anna Kwan and I created a Resource Guide that includes discussion questions and colouring pages.
For more about social-emotional learning, please check out the panel discussion below with me, Anna, as well as author Bree Galbraith and illustrator Lynn Scurfield, who are the talented creators of Hold That Thought! – available on August 15!
New Book Deal: Fantasy Novel for Kids
Exciting news! I’ll be publishing a new fantasy novel for kids with Charlesbridge Publishing. Thanks to agent-extraordinaire Ginger Knowlton of Curtis Brown for her support. Thanks to Alex McKenzie and Charlesbridge for seeing the potential in this novel. Here’s the official announcement:
I’m grateful to the Ontario Arts Council for awarding a writing grant to this project when it was a newly hatched idea. I’m also grateful to my creative community for feedback and encouragement while writing and revising.
Monster vs. Boy includes a character who might be my personal favourite among all those I’ve written so far. But I don’t think an author is supposed to have a favourite, so let’s just say that I adore writing this one.
I’m looking forward to sharing this story!
An Interview on Side-Writing
Ever since I first heard Erin Nuttall read from her works-in-progress during our time together at the Vermont College of Fine Art’s Writing for Children and Young Adults MFA program, I was a fan. She is a writer to watch, and I’m sure we’ll be reading her middle-grade and young-adult novels in the future. Thanks to Erin for interviewing me about side-writing on KidLit Craft – a terrific blog you’ll want to explore. You can check out Erin’s thoughts on side-writing in her inaugural post on KidLit Craft, and stayed tuned for more side-writing exercises on the blog all month.
And if you want even more on side-writing, you can sign up for my workshop Fresh Stories for a New World: Finding Your Stories Through a Practice of Side-Writing with SCBWI Canada East on April 10.
Upcoming Talks
CANSCAIP Monthly Membership Meeting: Panel Discussion
In a virtual meeting for CANSCAIP Members and Friends across Canada, I’ll be speaking with panelists S.K. Ali and Nadia Hohn as well as moderator Glen Huser about our faculty and student experiences in writing programs and schools.
Have you considered a degree in creative writing? What degrees are out there? What is the workload? What can you gain? And – is it worth the money?
Date and Time: March 10, 7 p.m. ET
Guests are welcome, and can contact office@canscaip.org to request the Zoom link.
Fresh Stories for a New World: Finding Your Stories Through a Practice of Side-Writing
As part of SCBWI Canada East’s Digging Deeper series, I’ll be delivering a virtual workshop.
Our world has been going through extraordinary changes, and so have we as writers. Who are you now? What stories are currently simmering within you, waiting to be told?
In this hands-on workshop, I’ll explore how to tap into ourselves and our stories through the practice of side-writing, which refers to stepping away from the story on the page to explore the raw heart of it through creative exercises. You’ll explore how side-writing can help us to write true to ourselves, plumb the emotional depths of our characters to better connect to readers, and spark joy and play in our writing.
Date and Time: April 10, 1 to 2 p.m. ET
Cost for members: $15
Registration closes at noon on April 8.
Cover Reveal: Sour Cakes
It’s cover reveal day! I’m thrilled to share the cover of my debut picture book Sour Cakes, illustrated by the talented Anna Kwan and published by Owlkids Books! Arriving at an indie bookstore near you in October 2021. It’s been an honour to witness these characters coming to life through Anna’s art.
Do you have a sibling? Are you the youngest, oldest, or somewhere in the middle? Does your sibling ever get sour? Do you?
Full confession: I’m the youngest in my family, and I’ve been known to be both sour and sweet, as my sister will confirm.
Sour Cakes is modelled after sibling relationships in my own family and Anna’s. For me, it’s about how we may annoy one another at times yet we also show compassion. Love you, family!
Heavy emotions meet a deep well of understanding in this uplifting sibling story
My Interview on Cabin Tales
Last year, author Catherine Austen began a spooky new podcast for kids and adults called Cabin Tales, which I highly recommend. Catherine is a Canadian author of many excellent books, including including Walking Backward, My Cat Isis, 26 Tips for Surviving Grade 6, 28 Tricks for a Fearless Grade 6, and All Good Children. Please check out her books!
Now, you can listen to Catherine’s interview with me on Cabin Tales. It includes my advice to young writers with writer’s block, and tales of terror from my childhood. (Yes, I was afraid of closets. Maybe I still am.)
New Book Deal: My Third Picture Book
This week, I signed a contract for my third picture book! I’d like to share all the details, but for now, I can tell you that it’s a nonfiction picture book scheduled for Spring 2023 with Groundwood Books. Oh, the anticipation!
This manuscript took 28 drafts (so far) to find its path, and it’s had plenty of help along the way. A shout-out to my critique groups and partners for all their insights. A special shout-out to the Vermont College of Fine Arts, which helped me learn how to write this new-to-me genre. And much gratitude to my agent Ginger Knowlton of Curtis Brown for her support, as well as Groundwood for seeing the potential in this manuscript.
Writer’s Block
No one wants to visit writer’s block. But it happens, especially after months and months of a pandemic. The world can be distracting and disturbing. My brain and body can become too out of kilter to write. I get stuck. I doubt myself and my stories. It happens to all creators at some point.
It can feel like I’m wandering in an endless loop. Or like I’m trapped and unable to move.
When I visit schools, I often get asked how I overcome writer’s block. Here are a few ways that have worked for me. Hopefully, you’ll find something that’ll work for you when you get stuck.
Ways to Overcome Writer’s Block
- Set a daily word count.
Sometimes, I need to push my way through a writing block. By writing a little bit every day, I keep my story in my head. I like to set a low daily word count, like 200 words/day. I often write more, but my goal is to get started each day.
- Put the manuscript in a drawer.
When I’m not sure what to write next in a story, I write down the unanswered questions I have about the manuscript, then I put it away for a few days, weeks, or months. My subconscious writer’s brain will work on answering the questions while I’m doing other things. When I come back to the manuscript, I’m often surprised to discover that I have the answers to my questions.
- Get feedback from trusted critique partners.
I’m a big fan of writing critique groups and partners, partly because it’s hard to be objective about our own writing and partly because I adore spending time with other writers. When I’m stuck, fresh eyes on my manuscript can help me find new ways forward. And helping other writers makes me a better writer too.
- Re-read what I already wrote on a story.
When I sit down to write each day, I usually re-read what I wrote on it the day before. Sometimes, I need to re-read an entire draft of a novel to be able to see how to write the next part.
- Talk with a friend about why I’m stuck.
I often talk to a friend or family member when I’m stuck. As I talk, the problem usually comes into focus. Sometimes, they have ideas that spark me. Either way, I feel supported and ready to dive back in.
- Write outside of the story.
Some people call this “side writing,” and it can take many forms. For example, I might write a scene from a different character’s point of view, write a letter from one character to another, brainstorm ideas for what might happen next, ask my character a series of questions to get to know them better, write a poem about my story, and so on. There are a million ways to do side writing, but basically, the goals are to play with your story, to loosen up, to get to know your story and characters better, and to re-kindle your writing.
- Take a writing class or read about writing craft.
When I’m struggling with a manuscript, sometimes I need to learn more about how to tackle a particular writing challenge. For example, I took screen-writing courses when I had trouble with plotting, and I regularly read books about writing for tips and techniques.
- Take a break.
Not every day is a writing day. It’s okay not to write for days or even months at a time. Sometimes, I need to get away from my writing desk to rest and recover or to experience the world. So if writing is slow, consider taking a nap, going for a walk, or even launching a grand adventure! Of course, these days, that will be six-feet apart and wearing a mask, but we can still find ways to adventure.
If you have other suggestions for overcoming writer’s block, please let me know. I’d love to hear them!
New Writing Space, New Beginning
My writing space has been in transition for three years as I’ve moved from home to home to home. And during this time, most of my books have been in cardboard boxes, shuffled from place to place. I’ve missed them.
One great thing about writing is that it’s accessible. Anyone can do it with only a pen and paper. On a phone. On the back of a grocery bill.
I’ve learned to write in cafés and libraries. While I’m walking or lying in bed. Even in doctor’s waiting rooms. It’s good to know that I can write wherever I am.
Now, I’m in a fresh, new writing space with a new desk and – best of all – bookshelves. Right now, they’re empty, ready to welcome my books. I don’t want to rush this unpacking. I want to figure out how to organize them. By genre? By size? By colour? So many possibilities.
What will I write in this space? What new stories will come to be? What frustrations will I face? I can only imagine the possibilities. But at least I’ll face them with my books, spines out, pages full of facts and stories that are my old, familiar friends.
Cabin Tales: A Spooky Podcast for Kids
It was great fun to be part of Cabin Tales, a spooky new podcast for kids and adults.
It’s a new project from Catherine Austen, author of many books including my personal favourite All Good Children.
Each episode of Cabin Tales focuses on one aspect of creative writing, such as setting. They include original spooky stories, excerpts from creepy classics, and writing tips from authors like me. The stories are deliciously monstrous – ones you might tell around a campfire to scare your friends – so Catherine warns that they’re not for very young listeners.
Cabin Tales also encourages young writers to share their own stories with fun weekly prompts. I hope you check it out!
Kan’t Draw Komics: Happiness is…
A global pandemic. Self-isolation. Health worries. No work. Too much work. Unsafe work. Unsafe streets. Blatant racism on display in the most gut-wrenching ways. These days, it can be hard to concentrate. Hard to sleep. Hard to see the way forward.
I don’t know about you, but I’ve had trouble reading and writing over the last five months. My mind races from one dire situation to the next. I’m easily distracted. And if you’re one of those people who can’t concentrate, who can’t read right now, that’s okay. However you feel, that’s okay.
When I’m awake at night worrying and wishing I could get back to sleep, I remember when I was a kid, when I used to stay awake on purpose, vowing to read the whole night through. Sometimes I would set a stack of comic books beside my bed, determined to read them all. Other times, I’d read a novel under the covers. Reading has always been a joyful escape, and writing too.
Is there a book that might help you escape right now? That might bring you happiness?
Or maybe you have a story inside you that wants to be written? That helps you move forward? If you do, I hope you write that story.
New Book Deal: My Second Picture Book
A year ago, I announced my debut picture book – a story of two siblings told in just 230 words to be published by Owlkids Books in Fall 2021. Yesterday, I reviewed the illustration roughs for it by Anna Kwan, and they were brimming with life and emotion. I can’t wait to share more about this book!
Now, I’m excited to announce that I’ve signed a contract with Owlkids Books for a second picture book! I’m thrilled to be working with the talented Owlkids team once again. This time, it’s a nonfiction picture book, and I’ll share more about it later. The germ of the idea began when I was watching a documentary, and after much research, I wrote my first draft in my third semester at the Vermont College of Fine Arts. Fifteen drafts later, it was accepted for publication, which is scheduled for Fall 2022.
A special shout-out to my critique partners who patiently read many drafts, to VCFA faculty William Alexander and Cynthia Leitich Smith for critiquing early drafts, and to my agent Ginger Knowlton of Curtis Brown for her support.
Time to celebrate!
Agent News
Although our world is horribly out of sorts right now, I’d like to share some happy news. On Friday, I signed an agent contract with Ginger Knowlton of Curtis Brown! I’m super excited to begin this next stage of my writing journey with such a talented agent. Thank you, Ginger!
I’d also like to acknowledge that I didn’t get here on my own. My critique groups and partners have always been both tough and kind with their feedback. My east-end café writers helped to create a comfortable place to write when I didn’t have one. The students and faculty at the Vermont College of Fine Arts were instrumental in supporting and encouraging me, particularly my Writers Without Borders, my Goodnight Noises, as well as my faculty advisors:
- Liz Garton Scanlon, who guided me into the world of writing picture books with a rigorous attention to language and a steady, nurturing hand.
- A.M. Jenkins, who helped me move beyond planning-type thinking to tap into my characters’ deepest, rawest, primal feelings.
- William Alexander, who encouraged me to balance intense focus with play, fun, and whimsy. Will, I vow to “trust my wyrd”!
- Alan Cumyn, who taught me how to plumb the depths with each successive rewrite.
Special thanks to Martha Brockenbrough, Debbie Ridpath Ohi, and Cynthia Leitich Smith for going the extra mile to help me.
I raise my morning dark roast to you all!
Profile of Soyeon Kim
I’m excited to share my profile of the talented Soyoen Kim in the CANSCAIP NEWS Spring 2020, available to members and friends of CANSCAIP. Her latest book is A Last Goodbye, which was written by Elin Kelsey and published by Owlkids Books. Kirkus Reviews calls it “Staggering” and it is!
Upcoming Talk: SCBWI Canada East Art of Story
UPDATE: Thank you to the organizers of the SCBWI Canada East Art of Story Conference, who have wisely decided to cancel it due to covid-19. I hope to be back as a speaker at a later event. In the meantime, they’re hoping to host online workshops and distance critiques so stayed tuned!
I’m thrilled and honoured to be included as faculty at the upcoming SCBWI Canada East Art of Story Conference. This is an intimate and craft-based conference focused on writing and illustrating for children and teens. I hope you’ll be able to join us.
Date: April 24 to 26, 2020
Place: Albert at Bay Suite Hotel, Ottawa
Applications for the Rising Kite Diversity Scholarship and the Gift of Creativity bursary are available.
You can check out all the faculty and workshops. My talk will be based on my critical thesis and grad lecture I completed during my MFA in Writing at the Vermont College of Fine Arts. I’m excited to be able to share it with a wider audience.
How To Build Character Cultural Literacy
To reflect the full and varied reality of human experience, all writers need to respectfully and thoughtfully depict secondary characters with a range of cultural beliefs. Even when our protagonists largely mirror us, can we say the same for all their friends?
Each character we create exists within a global village and within a particular nation, neighbourhood, social class, ability level as well as an ethnic, gender, sexual orientation, family, and peer group—each with its own distinct culture. Awareness of our characters’ culture beliefs will deepen their presence on the page.
Using insights from contemporary cultural anthropologists, I’ll introduce tools we can use to identify our characters’ deep-level cultural beliefs, offering insights into their motivations and story arcs. I’ll focus on family culture since that’s where we first learn and express our beliefs, although these tools can be applied to other cultural groups. We’ll also compare our own cultural beliefs to our characters’ to discuss the importance of respecting #OwnVoices, writing within our cultural elements, and avoiding bias through omission.
My MFA Journey (the Final Chapter)
Note: I’ve been writing about my journey during my MFA at the Vermont College of Fine Arts (VCFA) in Writing for Children and Young Adults. You can read Part 1, Part 2, Part 3, Part 4, Part 5, Part 6, Part 7, and Part 8 as well. And now, for my final MFA post…
I graduated! Two years went by so fast. I can’t quite believe I’m done.
My final residency was a celebration from start to finish as each grad in my cohort delivered a lecture as well as a reading from their creative thesis. It’s fascinating to witness the growth of writers through this program and how it radically and fundamentally changes them. Add to that the usual workshops, faculty lectures, plus specialty seminars, and this residency was jammed-packed writing fun.
It’s hard to explain how this program has changed me. It’s like it disassembled then re-assembled me as a writer. It expanded my scope in terms of genre and form, and it helped me plumb emotional depths to find my stories and characters. It also gave me the language to identify where a story isn’t working yet and the techniques to re-imagine it.
But even though I now have an MFA in Writing, I’ll never finish learning how to perfect this thing called writing. It is impossible to perfect, which is one reason why I adore it so much.
Before I began this program, I had to think long and hard about why I was taking it, and I decided that it couldn’t be because of the promise of whatever publishing contracts may come. It had to be for the sheer joy of building my writing craft and community. This program delivered that and so much more.
For one thing, I have access to future VCFA lectures and critical theses, so I can continue to learn and grow. And the VCFA community is warm and welcoming even beyond graduation.
Now, I begin the next stage of my journey with my post-MFA plans firmly in place. I plan to continue to put writing first, and strive for goals that are within my control. I plan to play with words, and make time for pondering and self-exploration. I plan to revise and re-imagine till my word shine. And I hope to share my new craft knowledge through workshops and classes.
jet pack. To VCFA and beyond!
My MFA Journey (Part 8)
Note: I’ve been writing about my journey during my MFA at the Vermont College of Fine Arts (VCFA) in Writing for Children and Young Adults. You can read Part 1, Part 2, Part 3, Part 4, Part 5, Part 6 and Part 7 as well.
I’ve just finished my final semester! What a journey it’s been! Next stop—graduating residency!
For the last six months, I’ve been working with my fabulous faculty advisor Alan Cumyn, author of a slew of wonderful novels, like his latest one, North to Benjamin, about a boy named Edgar and the farty, lovable Newfoundland dog he cares for. My overall creative goal this semester was exploring how to write emotionally rich characters who compel readers to turn the page and publishers to say, “Yes!” Alan provided in-depth responses to my work through on-page comments, editorial letters, and video calls. His big-picture comments prompted deep revision while his enthusiasm and kindness celebrated what worked.
Fourth semester is all about writing a creative thesis, which is submission-ready creative work, and well as an academic lecture. For my creative, I revised twenty-two chapters of a middle-grade novel, and I wrote eight new chapters to complete a full draft. Through discussion with Alan, I have a plan for another round of revisions. I also revised three picture books, and my creative thesis is a combination of a fiction picture book, a nonfiction picture book and chapters from my novel. I leave this program with a pile of manuscripts to continue to work on as well as a writer’s toolbox that’s overflowing!
My lecture is titled “Peeking Beyond Our Cultural Blinders,” and I’ll be delivering it at my graduating residency in January 2020. I plan to talk about how our cultural blinders can get in the way of understanding our characters. Using insights from contemporary cultural anthropologists and touching on the #OwnVoices movement, I’ll introduce tools we can use to identify our characters’ deep-level cultural beliefs as compared to our own. I’ll focus on family culture since that’s where we first learn and express our beliefs, and show how cultural orientations provide motivation for how characters feel, what they do, what they say, and how they change. Writing this lecture has given me more confidence as a speaker and mentor, and I hope I’ll get the chance to share more of my new writing-craft knowledge with others.
At my graduating residency, I’ll also be delivering a reading from my creative thesis. And I’ll be celebrating the many talented writers I’ve been lucky enough to share this journey with. VCFA is a caring, supportive community, and I’ve met so many incredible people who’ve become lifelong friends. Here are a few friends from my class, who I’ll miss seeing at residency every six months!
Want more? You can read my final MFA post.
Kan’t Draw Komics: My Precious
Who needs to hoard gold? Dragons have it all wrong. My latest comic…
I’ve been having fun drawing my Kan’t Draw Komics, which I started because I’m a terrible artist. You can read more about that in this post. Enjoy!
Join us for a Hi-Lo Author Panel
On Saturday, September 28, I’ll be at Chapters Scarborough for a hi-lo author panel with these terrific authors! Please join me, Erin Thomas, Bev Katz Rosenbaum, Paul Coccia and Melanie Florence. Thanks to Orca Book Publishers and Chapters Scarborough for helping to organize us!
My Latest Komics
I’ve been having fun drawing my Kan’t Draw Komics, which I started because I’m a terrible artist. You can read more about that in this post. Here are my latest ones.
As author Jane Smiley said, “Every first draft is perfect, because all a first draft has to do is exist.”
May your story garden thrive!
Personally, I’m not sure the revision stage ever ends. That’s one of the wonderful and challenging parts of writing.
You can read more of my comics on my Kan’t Draw Komics page.
My MFA Journey (Part 7)
Note: I’ve been writing about my journey during my MFA at the Vermont College of Fine Arts (VCFA) in Writing for Children and Young Adults. You can read Part 1, Part 2, Part 3, Part 4, Part 5 and Part 6 as well.
I kicked off my fourth and final semester with a two-week residency that left me inspired and emotional. I was touched by how many faculty and students read or lectured on topics that left them open and vulnerable. I’m reminded yet again how deeply creators must connect to their characters in order to encourage readers to care for them as well.
A highlight of my residency was a workshop on writing within and across identity elements, facilitated by the inspirational Cynthia Leitich Smith, who’s latest YA novel Hearts Unbroken dismantles stereotypes. In it, Louise Wolfe deals with the challenges of “dating while Native.” She also attempts to uncover who’s behind a coalition against the school musical director’s ethnically inclusive approach to casting. From our workshop, I’ve culled a list of strategies, techniques and issues to ponder when writing within and across identity elements. Thank you, Cynthia!
Now I’m back home and writing my creative thesis, which means I’ll focus on how to use my newly developed skills to bring creative pages to a professional polish. I plan to revise a middle-grade novel as well as several picture books – both fiction and nonfiction. I also hope to explore some new, fledgling ideas.
And I’ll be preparing an academic lecture based on the critical thesis I wrote last semester. I want to help writers, including myself, peek behind our cultural blinders to identify our characters’ deep-level cultural beliefs as well as our own. I’ll touch on the #OwnVoices movement and explore how to develop culturally rich characters.
And lucky me! I get to do all this with my new faculty advisor Alan Cumyn! If you haven’t yet read his latest, North to Benjamin, you’re in for a treat. In it, Edgar moves to Dawson City with his mother so she can start over yet again, but this time their new home comes with a dog-sitting job. As Edgar’s mother starts to upend the lives of those around them one more time, Edgar takes refuge in his friendship with the farty, lovable Newfoundland dog, Benjamin, so much so that his words come out as barks. I love Edgar’s doggy traits as he tries to figure out what to do next.
Wish me luck as I start my deep dive into my semester work!
Want more? You can read Part 8 and my final MFA post.
How to Revise a Picture Book (Part 2)
During my MFA in Writing for Children and Young Adults at the Vermont College of Fine Arts, I wrote about how to revise picture-book manuscripts. I’m happy to share this as a two-part article in the CANSCAIP News.
The first part was published in the Spring issue, and it focuses on beginnings and endings. Now, the Summer issue includes the second part on how to revise the messy middle.
For the article, I visited my local archive—the Osborne Collection of Early Children’s Books in Toronto—to seek original manuscripts that became acclaimed picture books. I then analyzed how three authors revised their manuscripts, including Kathy Stinson’s Red is Best (illustrated by Robin Baird Lewis, published by Annick Press), Linda Granfield’s The Road to Afghanistan (illustrated by Brian Deines, published by Scholastic Canada), and Paulette Bourgeois’s Franklin in the Dark (illustrated by Brenda Clark, published by Kids Can Press).
Many thanks to the Canadian Society of Children’s Authors, Illustrators and Performers for publishing both parts. Thanks also to Kathy Stinson, Linda Granfield, and Paulette Bourgeois for permission to quote from their archived material. Happy revising!
My MFA Journey (Part 6)
Note: I’ve been writing about my journey during my MFA at the Vermont College of Fine Arts (VCFA) in Writing for Children and Young Adults. You can read Part 1, Part 2, Part 3, Part 4, and Part 5 as well.
I’m finishing my third semester with my fabulous faculty advisor Will Alexander, author of fantasy and science fiction for young readers, including his most recent book, A Festival of Ghosts, which you must read if you haven’t already!
This semester, Will suggested on-point mentor texts and critical essays that shaped my thinking, he provided writing exercises that gave me techniques to address challenges, and he provided feedback that inspired and challenged me to succeed. He confirmed when I was on track and guided me with enthusiasm when I was not. He celebrated successes with me, both big and small, and truly cared about my development as a writer. Will, I’m so very grateful!
The third semester is all about the critical thesis, which is actually more fun than it sounds because you pick a writing-craft topic that you want to learn about in more detail. For me, that topic was culture and character development.
My premise was that cultural development is not only for characters who are labeled as diverse; it is for all characters. I limited this exploration to family culture, which shows where our characters first develop their beliefs, and peer culture, which shows where they apply those beliefs. I demonstrated that our characters’ cultural orientations provide motivation for how they feel, what they do and say, and how they change—all of which are basic building blocks for story. I developed character cultural development tools that writers can use to gain story insights as well as insights into how they relate to their characters, and I connected this topic to the #OwnVoices movement.
This topic is personally important to me because I want to authentically portray the diverse community in which I live and write. As writers, we’re familiar with how to integrate surface-level cultural elements into a story, perhaps by using slang, describing food or fashion, or using a festival as a setting. However, we should also understand the deep-level beliefs behind those elements. In addition, awareness of how our own cultural orientations differ from our characters’ will help us identify beliefs, feelings, and behaviours that come from ourselves, rather than them. It can also help us identify if we are the ideal writer to tell a particular story.
Now, my critical thesis will join the many others at VCFA’s Gary Library as part of their canon of critical thought on children’s literature. I must be a geek because that makes me excited!
This semester, I also read and analyzed books in a wide range of genres — picture books, chapter books, poetry, novels for kids and teens, graphic novels, novels in verse, short stories for kids and teens, fairy tales, nonfiction, memoir, and essays on writing craft. I listened to 21 audio-recorded VCFA lectures and read many critical theses.
For my creative work, my overall goal this semester was to explore the micro-level craft techniques for emotional depth on the page and macro-level techniques for the emotional structure of a story in both short fiction and novels. Here’s what I wrote over the last six months:
- I wrote three flash fiction stories to play with how to generate emotionally deep characters.
- I revised several picture books, and I’m thrilled that one of those now has a contract with Owlkids Books!
- I wrote and revised a new narrative nonfiction picture book, which I’m super excited about!
- I wrote a solid draft of over three-quarters of a middle-grade fantasy novel that I can’t stop thinking about!
I can’t begin to explain all the ways this program has changed me as a writer. With one more semester to go, it’s not over yet.
My fourth semester starts in July with a residency filled with workshops, lectures, and readings — and a new faculty advisor. In my final semester, I’ll be completing a creative thesis and preparing a lecture. But first, I need a few weeks to rest up for the fun and hard work to come!
Want more? You can read Part 7, Part 8, and my final MFA post.
Even More Kan’t Draw Komics
I’ve been having fun drawing my Kan’t Draw Komics, which I started because I’m a terrible artist. You can read more about that in this post. Here are my latest ones.
The first one is about how writing can become a struggle between what the writer wants and what the character wants. It’s always better to listen to your characters rather than trying to force them to do what you want them to do. However, a story is also about a character in conflict, so writers need to be prepared to put their characters in dire situations!
Anyone who knows me well will tell you that patience is not my strength. But I love the zen of my weekly yoga classes. When I submit to publishers, I definitely need more zen. Tree pose anyone?
You can read more of my comics on my Kan’t Draw Komics page.
New Book Deal: My Debut Picture Book
I’m thrilled to announce that I just signed a contract with Owlkids Books for my debut picture book!
Picture books hold a special place in my heart. They’re a joy to read aloud. You can share them with any age. We are never too old for picture books! They create magic in only a few words. And to see my words illustrated? Priceless.
This picture book began as a germ of an idea that I finally put to paper when I needed to write a lyrical story during my Picture Book Intensive semester at the Vermont College of Fine Arts. Nineteen drafts later, it landed a contract. Who says picture books are easy to write?
A special shout-out to my Picture Book Intensive faculty advisor – Liz Garton Scanlon, author of the Caldecott-honoured picture book All the World. Liz is an inspiration.
My critique partners – both at VCFA and in the Great White North – read this manuscript more than once. Thanks to you all!
And of course, I need to thank the talented folks at Owlkids Books, who saw the potential in this manuscript. I am so grateful!
More about the book later, but for now I’ll tell you that it’s scheduled for publication in Fall 2021, and I can’t wait!
Now where did I put that bottle of champagne?